Americans -- France -- Fiction; Man-woman relationships -- Fiction; Paris (France) -- Fiction; Psychological fiction; Young men -- Fiction
It struck him, directly he had found it, as pompous and priggish; so
much so that he was thankful to Chad for taking it only in the right
spirit. The young man spoke so immensely to the point that the effect
was practically of positive blandness. “Absolutely without reproach. A
beautiful life. _Allez donc voir!_”
These last words were, in the liberality of their confidence, so
imperative that Strether went through no form of assent; but before
they separated it had been confirmed that he should be picked up at a
quarter to five.
Book Sixth
I
It was quite by half-past five—after the two men had been together in
Madame de Vionnet’s drawing-room not more than a dozen minutes—that
Chad, with a look at his watch and then another at their hostess, said
genially, gaily: “I’ve an engagement, and I know you won’t complain if
I leave him with you. He’ll interest you immensely; and as for her,” he
declared to Strether, “I assure you, if you’re at all nervous, she’s
perfectly safe.”
He had left them to be embarrassed or not by this guarantee, as they
could best manage, and embarrassment was a thing that Strether wasn’t
at first sure Madame de Vionnet escaped. He escaped it himself, to his
surprise; but he had grown used by this time to thinking of himself as
brazen. She occupied, his hostess, in the Rue de Bellechasse, the first
floor of an old house to which our visitors had had access from an old
clean court. The court was large and open, full of revelations, for our
friend, of the habit of privacy, the peace of intervals, the dignity of
distances and approaches; the house, to his restless sense, was in the
high homely style of an elder day, and the ancient Paris that he was
always looking for—sometimes intensely felt, sometimes more acutely
missed—was in the immemorial polish of the wide waxed staircase and in
the fine _boiseries_, the medallions, mouldings, mirrors, great clear
spaces, of the greyish-white salon into which he had been shown. He
seemed at the very outset to see her in the midst of possessions not
vulgarly numerous, but hereditary cherished charming. While his eyes
turned after a little from those of his hostess and Chad freely
talked—not in the least about _him_, but about other people, people he
didn’t know, and quite as if he did know them—he found himself making
out, as a background of the occupant, some glory, some prosperity of
the First Empire, some Napoleonic glamour, some dim lustre of the great
legend; elements clinging still to all the consular chairs and
mythological brasses and sphinxes’ heads and faded surfaces of satin
striped with alternate silk.
Public-domain text, read in full here on John Shaqi.
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