the small splash she could herself make in the pleasant warmth, nothing but the safety of dipping and dipping again. At the end of the ten minutes he was to spend with her his impression—with all it had thrown off and all it had taken in—was complete. She had been free, as she knew freedom, partly to show him that, unlike other little persons she knew, she had imbibed that ideal. She was delightfully quaint about herself, but the vision of what she had imbibed was what most held him. It really consisted, he was soon enough to feel, in just one great little matter, the fact that, whatever her nature, she was thoroughly—he had to cast about for the word, but it came—bred. He couldn’t of course on so short an acquaintance speak for her nature, but the idea of breeding was what she had meanwhile dropped into his mind. He had never yet known it so sharply presented. Her mother gave it, no doubt; but her mother, to make that less sensible, gave so much else besides, and on neither of the two previous occasions, extraordinary woman, Strether felt, anything like what she was giving tonight. Little Jeanne was a case, an exquisite case of education; whereas the Countess, whom it so amused him to think of by that denomination, was a case, also exquisite, of—well, he didn’t know what. “He has wonderful taste, _notre jeune homme_”: this was what Gloriani said to him on turning away from the inspection of a small picture suspended near the door of the room. The high celebrity in question had just come in, apparently in search of Mademoiselle de Vionnet, but while Strether had got up from beside her their fellow guest, with his eye sharply caught, had paused for a long look. The thing was a landscape, of no size, but of the French school, as our friend was glad to feel he knew, and also of a quality—which he liked to think he should also have guessed; its frame was large out of proportion to the canvas, and he had never seen a person look at anything, he thought, just as Gloriani, with his nose very near and quick movements of the head from side to side and bottom to top, examined this feature of Chad’s collection. The artist used that word the next moment smiling courteously, wiping his nippers and looking round him further—paying the place in short by the very manner of his presence and by something Strether fancied he could make out in this particular glance, such a tribute as, to the latter’s sense, settled many things once for all. Strether was conscious at this instant, for that matter, as he hadn’t yet been, of how, round about him, quite without him, they _were_ consistently settled. Gloriani’s smile, deeply Italian, he considered, and finely inscrutable, had had for him, during dinner, at which they were not neighbours, an indefinite greeting; but the quality in it was gone that had appeared on the other occasion to turn him inside out; it was as if even the momentary link supplied by the doubt between them had snapped.