Americans -- France -- Fiction; Man-woman relationships -- Fiction; Paris (France) -- Fiction; Psychological fiction; Young men -- Fiction
He was conscious now of the final reality, which was that
there wasn’t so much a doubt as a difference altogether; all the more
that over the difference the famous sculptor seemed to signal almost
condolingly, yet oh how vacantly! as across some great flat sheet of
water. He threw out the bridge of a charming hollow civility on which
Strether wouldn’t have trusted his own full weight a moment. That idea,
even though but transient and perhaps belated, had performed the office
of putting Strether more at his ease, and the blurred picture had
already dropped—dropped with the sound of something else said and with
his becoming aware, by another quick turn, that Gloriani was now on the
sofa talking with Jeanne, while he himself had in his ears again the
familiar friendliness and the elusive meaning of the “Oh, oh, oh!” that
had made him, a fortnight before, challenge Miss Barrace in vain. She
had always the air, this picturesque and original lady, who struck him,
so oddly, as both antique and modern—she had always the air of taking
up some joke that one had already had out with her. The point itself,
no doubt, was what was antique, and the use she made of it what was
modern. He felt just now that her good-natured irony did bear on
something, and it troubled him a little that she wouldn’t be more
explicit only assuring him, with the pleasure of observation so visible
in her, that she wouldn’t tell him more for the world. He could take
refuge but in asking her what she had done with Waymarsh, though it
must be added that he felt himself a little on the way to a clue after
she had answered that this personage was, in the other room, engaged in
conversation with Madame de Vionnet. He stared a moment at the image of
such a conjunction; then, for Miss Barrace’s benefit, he wondered. “Is
she too then under the charm—?”
“No, not a bit”—Miss Barrace was prompt. “She makes nothing of him.
She’s bored. She won’t help you with him.”
“Oh,” Strether laughed, “she can’t do everything.
“Of course not—wonderful as she is. Besides, he makes nothing of _her_.
She won’t take him from me—though she wouldn’t, no doubt, having other
affairs in hand, even if she could. I’ve never,” said Miss Barrace,
“seen her fail with any one before. And to-night, when she’s so
magnificent, it would seem to her strange—if she minded. So at any rate
I have him all. _Je suis tranquille!_”
Strether understood, so far as that went; but he was feeling for his
clue. “She strikes you to-night as particularly magnificent?”
“Surely. Almost as I’ve never seen her. Doesn’t she you? Why it’s _for_
you.”
He persisted in his candour. “‘For’ me—?”
“Oh, oh, oh!” cried Miss Barrace, who persisted in the opposite of that
quality.
“Well,” he acutely admitted, “she _is_ different. She’s gay.”
“She’s gay!” Miss Barrace laughed. “And she has beautiful
shoulders—though there’s nothing different in that.”
“No,” said Strether, “one was sure of her shoulders. It isn’t her
shoulders.”
Public-domain text, read in full here on John Shaqi.
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