Americans -- France -- Fiction; Man-woman relationships -- Fiction; Paris (France) -- Fiction; Psychological fiction; Young men -- Fiction
free to analyse, but that struck him, so that his consciousness of it
was instantly acute, as a quality quite new to him. Before reaching her
he stopped on the grass and went through the form of feeling for
something, possibly forgotten, in the light overcoat he carried on his
arm; yet the essence of the act was no more than the impulse to gain
time. Nothing could have been odder than Strether’s sense of himself as
at that moment launched in something of which the sense would be quite
disconnected from the sense of his past and which was literally
beginning there and then. It had begun in fact already upstairs and
before the dressing glass that struck him as blocking further, so
strangely, the dimness of the window of his dull bedroom; begun with a
sharper survey of the elements of Appearance than he had for a long
time been moved to make. He had during those moments felt these
elements to be not so much to his hand as he should have liked, and
then had fallen back on the thought that they were precisely a matter
as to which help was supposed to come from what he was about to do. He
was about to go up to London, so that hat and necktie might wait. What
had come as straight to him as a ball in a well-played game—and caught
moreover not less neatly—was just the air, in the person of his friend,
of having seen and chosen, the air of achieved possession of those
vague qualities and quantities that collectively figured to him as the
advantage snatched from lucky chances. Without pomp or circumstance,
certainly, as her original address to him, equally with his own
response, had been, he would have sketched to himself his impression of
her as: “Well, she’s more thoroughly civilized—!” If “More thoroughly
than _whom?_” would not have been for him a sequel to this remark, that
was just by reason of his deep consciousness of the bearing of his
comparison.
Public-domain text, read in full here on John Shaqi.
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