Americans -- France -- Fiction; Man-woman relationships -- Fiction; Paris (France) -- Fiction; Psychological fiction; Young men -- Fiction
This was interesting so far as it went, but the interest was affected
by the young man’s not being Chad. Strether wondered at first if he
were perhaps Chad altered, and then saw that this was asking too much
of alteration. The young man was light bright and alert—with an air too
pleasant to have been arrived at by patching. Strether had conceived
Chad as patched, but not beyond recognition. He was in presence, he
felt, of amendments enough as they stood; it was a sufficient amendment
that the gentleman up there should be Chad’s friend. He was young too
then, the gentleman up there—he was very young; young enough apparently
to be amused at an elderly watcher, to be curious even to see what the
elderly watcher would do on finding himself watched. There was youth in
that, there was youth in the surrender to the balcony, there was youth
for Strether at this moment in everything but his own business; and
Chad’s thus pronounced association with youth had given the next
instant an extraordinary quick lift to the issue. The balcony, the
distinguished front, testified suddenly, for Strether’s fancy, to
something that was up and up; they placed the whole case materially,
and as by an admirable image, on a level that he found himself at the
end of another moment rejoicing to think he might reach. The young man
looked at him still, he looked at the young man; and the issue, by a
rapid process, was that this knowledge of a perched privacy appeared to
him the last of luxuries. To him too the perched privacy was open, and
he saw it now but in one light—that of the only domicile, the only
fireside, in the great ironic city, on which he had the shadow of a
claim. Miss Gostrey had a fireside; she had told him of it, and it was
something that doubtless awaited him; but Miss Gostrey hadn’t yet
arrived—she mightn’t arrive for days; and the sole attenuation of his
excluded state was his vision of the small, the admittedly secondary
hotel in the bye-street from the Rue de la Paix, in which her
solicitude for his purse had placed him, which affected him somehow as
all indoor chill, glass-roofed court and slippery staircase, and which,
by the same token, expressed the presence of Waymarsh even at times
when Waymarsh might have been certain to be round at the bank. It came
to pass before he moved that Waymarsh, and Waymarsh alone, Waymarsh not
only undiluted but positively strengthened, struck him as the present
alternative to the young man in the balcony. When he did move it was
fairly to escape that alternative. Taking his way over the street at
last and passing through the _porte-cochère_ of the house was like
consciously leaving Waymarsh out. However, he would tell him all about
it.
Book Third
I
Public-domain text, read in full here on John Shaqi.
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