The American Agriculturist. Vol. II. No. XI, December 1843: Designed to Improve the Planter, the Farmer, the Stock-breeder, and the HorticulturistVarious
Science
The American Agriculturist. Vol. II. No. XI, December 1843: Designed to Improve the Planter, the Farmer, the Stock-breeder, and the Horticulturist
Various
Agriculture -- Periodicals; Agriculture -- United States -- Periodicals
Turning from Edensor, and ascending a mound-like hill to the left of
the carriage-road, the palace and the grounds of Chatsworth appear to
the greatest advantage. Immediately below is the river Derwent, tracing
its sparkling course through a rich vale, where were perhaps 1,500 deer
browsing or taking their gambols. A handsome stone bridge spans the
river, and just beyond, the ground rises in terraces to a narrow plain,
where stand the noble palace, with its out-buildings, and the immense
conservatory, in magnificent grandeur. Back of these rises a lofty
hill, the steep sides of which are thickly planted with forest-trees,
and the summit is crowned with a high tower of octagonal shape, built
of stone. We were received at the palace-gate by a servant in handsome
livery, and passing into the gallery of the court, a fine hearty girl
made her appearance to conduct us over the building. The front of the
palace is 350 feet, and one of the side wings about 400 feet long, and
this whole area contains a series of apartments called the drawing-room
suite. An entire number of this paper would hardly suffice to give
the reader a complete description of these magnificent rooms, and the
treasures of art they contain, we therefore pass them over in silence.
From these we strolled into the orangery, which is about 30 feet wide,
and 200 feet long. It is full of beautiful exotics, and among them
were several specimens of the Rhododendron Arboreum, which bore, the
preceding summer, over 2,000 flowers. We now walked out to the lawn
in front of the palace, where one of the under-gardeners appeared
to conduct us over the grounds. These are extremely beautiful, with
walled terraces in the Italian style, and fountains. One jet d'eau
throws up a column 90 feet high. But the great show here in the way
of water-works, is the cascade. It is entirely artificial, and must
have been made at a great expense. The water rushes out from a series
of lakes on top of the hill, and comes pouring down its side, taking
a leap of about 80 feet from one of the arches, and then falls for a
length of 300 yards over a series of 24 ledges, and disappears amidst
masses of rock, on the edge of the lawn. Here it finds a subterranean
passage to the river Derwent. These water-works are looked upon by some
critics with affected contempt; not so with us, however, we greatly
admired them in their way; and yet we have seen Niagara a thousand
times, and had a peep at most of the other water-falls worth looking
at in the United States. We have no sympathy with such hypercritics
as profess a distaste to the cascade at Chatsworth: as a work of art,
it is a magnificent thing, and to our eye, in keeping with the palace
and grounds; and we viewed it with interest. A bronze tree a little
farther on, excited still greater curiosity with us than the cascade,
for it was made to act the part of a fountain, by throwing water from a
thousand sprigs and leaves all around in a shower of spray.
Public-domain text, read in full here on John Shaqi.
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