Humorous stories; Mistaken identity -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
Even the deadly chromos on the walls were somehow without offence; in
fact they seemed to belong there and to add an attraction to the room—a
fascination, anyway; for whoever got his eye on one of them was like to
gaze and suffer till he died—you have seen that kind of pictures. Some
of these terrors were landscapes, some libeled the sea, some were
ostensible portraits, all were crimes. All the portraits were
recognizable as dead Americans of distinction, and yet, through
labeling added, by a daring hand, they were all doing duty here as
“Earls of Rossmore.” The newest one had left the works as Andrew
Jackson, but was doing its best now, as “Simon Lathers Lord Rossmore,
Present Earl.” On one wall was a cheap old railroad map of
Warwickshire. This had been newly labeled “The Rossmore Estates.” On
the opposite wall was another map, and this was the most imposing
decoration of the establishment and the first to catch a stranger’s
attention, because of its great size. It had once borne simply the
title SIBERIA; but now the word “FUTURE” had been written in front of
that word. There were other additions, in red ink—many cities, with
great populations set down, scattered over the vast-country at points
where neither cities nor populations exist to-day. One of these cities,
with population placed at 1,500,000, bore the name
“Libertyorloffskoizalinski,” and there was a still more populous one,
centrally located and marked “Capital,” which bore the name
“Freedomolovnaivanovich.”
The “mansion”—the Colonel’s usual name for the house—was a rickety old
two-story frame of considerable size, which had been painted, some time
or other, but had nearly forgotten it. It was away out in the ragged
edge of Washington and had once been somebody’s country place. It had a
neglected yard around it, with paling fence that needed straightening
up, in places, and a gate that would stay shut. By the door-post were
several modest tin signs. “Col. Mulberry Sellers, Attorney at Law and
Claim Agent,” was the principal one. One learned from the others that
the Colonel was a Materializer, a Hypnotizer, a Mind-Cure dabbler; and
so on. For he was a man who could always find things to do.
A white-headed negro man, with spectacles and damaged white cotton
gloves appeared in the presence, made a stately obeisance and
announced:
“Marse Washington Hawkins, suh.”
“Great Scott! Show him in, Dan’l, show him in.”
The Colonel and his wife were on their feet in a moment, and the next
moment were joyfully wringing the hands of a stoutish,
discouraged-looking man whose general aspect suggested that he was
fifty years old, but whose hair swore to a hundred.
“Well, well, well, Washington, my boy, it _is_ good to look at you
again. Sit down, sit down, and make yourself at home. There, now—why,
you look perfectly natural; aging a little, just a little, but you’d
have known him anywhere, wouldn’t you, Polly?”
Public-domain text, read in full here on John Shaqi.
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