The American Credo: A Contribution Toward the Interpretation of the National Mind — John Shaqi
The American Credo: A Contribution Toward the Interpretation of the National MindMencken, H. L. (Henry Louis)
General
The American Credo: A Contribution Toward the Interpretation of the National Mind
Mencken, H. L. (Henry Louis)
American wit and humor; National characteristics, American
every year they hold great conventions, bore each other with learned
papers upon the psychology of their victims, speak of one another as men
of genius, have themselves photographed by the photographers of
newspapers eager to curry favour with them, denounce the government for
not spending the public funds for advertising, and summon United States
Senators, eminent chautauquans and distinguished vaudeville stars to
entertain them. For all this the plain people pay the bill, and never a
protest comes out of them.
As a matter of fact, the only genuinely thrifty folks among us, in the
sense that a Frenchman, a Scot or an Italian is thrifty, are the
immigrants of the most recent invasions. That is why they oust the
native wherever the two come into contact--say in New England and in the
Middle West. They acquire, bit by bit, the best lands, the best stock,
the best barns, not because they have the secret of _making_ more money,
but because they have the resolution to _spend_ less. As soon as they
become thoroughly Americanized they begin to show the national
prodigality. The old folks wear home-made clothes and stick to the
farm; the native-born children order their garments from mail-order
tailors and expose themselves in the chautauquas and at the great orgies
of Calvinism and Wesleyanism. The old folks put every dollar they can
wring from a reluctant environment into real property or the banks; the
young folks put their inheritance into phonographs, Fords, boiled
shirts, yellow shoes, cuckoo clocks, lithographs of the current
mountebanks, oil stock, automatic pianos and the works of Harold Bell
Wright, Gerald Stanley Lee and O. Henry.
III
Public-domain text, read in full here on John Shaqi.
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