And now as we enter upon a new curve, sure enough right above, like some
giant glow-worm creeping sluggish up the hill, is the Pullman half of
our train. We have just caught sight of it, and it twinkles on the curve
ahead and twists and contorts itself round the hill till it seems to be
doubling back upon us. At one moment we are on the same curve, and not a
quarter of a mile separates the two trains. What if the Pullman brakes
gave? And then it has twisted itself out of our sight, only to reappear
a moving gleam of light in the black woodlands overhead. But look
eastward! What a sight! We have climbed over two thousand feet now, and
far below us stretch limitless the moonlit hot-lands. It is all black,
that distance, save where, a bed of light, the cotton factory of Rio
Blanco steals into view beneath that hill on the right. Now it twinkles
ahead, now behind us. Now we seem running past it again, but infinitely
far away; and then we lose it altogether and bend into a dark curve
between two hills. As we lean out of the windows the car tilts till we
see no permanent way beneath us. We look sheer down into a gorge which
cannot be less than five hundred feet deep. Away down there we see what
are huge trees: they look shrubs; a wide river which seems a brook,
broken here and there by waterfalls over rocks, as large as houses,
which look mere pebbles. Against the silvered sky rise, jagged-toothed,
line upon line of hills, roughly pointed, the cone shape of volcanoes,
and as we twist out of the black gorge--greatest sight of all!--rises
the vast apex of Orizaba, dwarfing the meaner masses around, her snowy
peak silvered by the moon into a diamond-brightness. Looking out across
that world of hills upon that queenly height one understands why men
have worshipped mountains.
But while we have been dodging from window to window like village
schoolboys on a treat-day, the lamps of the car have been shrouded in
green-baize hoods, and our Mexican fellow-travellers, indifferent to
Orizaba's majesty and the angle of the carriages, have stretched
themselves into all sorts of uneasy attitudes on the Procrustean seats,
and sleep. Even our good conductor, weary of cigarettes, has turned up
his collar, and with folded arms nods his peak-capped head till he is to
be roused by the jolting of the train into Esperanza. And it is getting
cold. Blasé with the wonders of the climb, we close the windows and,
unbuckling portmanteaux, gratefully wrap ourselves into rugs and
ulsters.
But our companions are not all sleeping. There are two of them very wide
awake, and they have much reason to be. The prisoner and his guard face
each other, smoking cigarettes, while the odd detective sleeps on the
next seat, his head pillowed on a thick hooded cloak rolled military
fashion. It is an armed peace between the guarded and the guardian, and
it is presently to develop into almost open war. But first a little of
the prisoner's history, and then for a look at him.
Public-domain text, read in full here on John Shaqi.
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