Pictures of this huge petrified triumph of Catholicism over Sun Worship
(for the church was built on the site of Moctezuma's gorgeous Temple of
the Sun) give a very false impression of grandeur. We had heard, too,
much of the marvels within. Nothing could be more disappointing. Perhaps
the pile suffers somewhat from its environment. The Grand Plaza is not
grand at all. It has no architectural merits; it is crowded with rows of
tramcars and bordered by mean-looking shops in stuffy arcades. Round the
cathedral run pavements bordered by poorly kept flower-beds and
ragroofed booths, and then within the cathedral close is a yard half
cobble, half mangy grass, wherein squat or sleep innumerable beggars,
fruit-sellers, lottery-ticket vendors, the very riff-raff of the
capital. The railings are broken in places, advertisement posters and
street-boy scrawlings disfigure the church walls, large pieces of the
surface of which are broken away. Polite language forbids a description
of what the surface of this God's acre is like: suffice it to say that
the indescribably filthy habits of the Mexicans render it no place for
the unwary walker. To an Englishman this precinct of their greatest
church, so vivid a contrast with the velvety lawns and cleanly sanctity
of such a cathedral precinct as that at Westminster Abbey, is eloquent
of the Mexican character.
The cathedral itself is a gigantic erection, but there is nothing in the
least pleasing about it. It seems a hotchpotch of architectural styles
(it was near a century a-building), like a dog with no pedigree, or
perhaps with too much pedigree--a little bit of everything and the rest
church. To any one who has stood in the roar of London's traffic on
Ludgate Hill and looked eastward upon the superb grey severity of St.
Paul's, such a building can mean little. But step inside, and it is
worse, far worse. What is it which so often makes the interiors of even
the larger Catholic churches so vulgar? It must be the gilt and colour,
the ostentatious striving after effect, the prostitution of what should
be divinely chaste to the lewd sensuality of the eye. Catholicism is a
sensuous creed. It has been said a million times, and it is a million
times true. The sincerely godly man should be able to worship his Maker
as well on the top of a Camberwell omnibus as in a cathedral.
Catholicism, cynical, knows the sincerely godly are few and far between,
and she holds her children to her by a tawdry dazzle, an incensed
meretriciousness. The interior of Mexico Cathedral was one of the
vulgarest sights it has ever been our misfortune to look on. It was
rankly, irretrievably vulgar. The great reredos towered towards the
domed roof, a shameless sheet of dazzling gold. Your eyes ached at it.
It may have cost £300,000, but to the true lover of churches it was
worth about twopence-halfpenny. The walls blazoned with gold-framed
pictures of the Virgin and Saints, not one, not two, but dozens, like
Public-domain text, read in full here on John Shaqi.
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