There is perfect harmony in the different proportions of the different parts of the statue. The features are strictly Caucasian, having not the high bones of the Indian type, neither the outlines of the Negro race, and being entirely unlike any statuary yet discovered of Aztec or Indian origin. The chin is magnificent and generous; the eyebrow, or supercilliary ridge, is well arched; the mouth is pleasant; the brow and forehead are noble, and the "Adam's apple" has a full development. The external genital organs are large; but that which represents the integuments, would lead us the conclusion that the artist did not wish to represent the erectal tissues injected. The statue, being colossal and massive, strikes the beholder with a feeling of awe. Some portions of the features would remind one of the bust of De Witt Clinton, and others of the Napoleonic type. My opinion is that this piece of statuary was made to represent some person of Caucasian origin, and designed by the artist to perpetuate the memory of a great mind and noble deeds. It would serve to impress inferior minds or races with the great and noble, and for this purpose only was sculptured of colossal dimensions. The block of gypsum is stratified, and a dark stratum passes just below the outer portion of the left eyebrow, appears again on the left breast, having been chiseled out between the eyebrow and chest, and makes its appearance again in a portion of the hip. Some portions of the strata are dissolved more than others by the action of the water, leaving a bolder outcroping along the descent of the breast toward the neck. The same may, less distinctly, be seen on the side of the face and head. I think that this piece of reclining statuary is not 300 years old, but is the work of the early Jesuit Fathers of this country, who are known to have frequented the Onondaga Valley from 220 to 250 years ago; that it would probably bear a date in history corresponding with the monumental stone which was found at Pompey Hill, in this county, and now deposited in the Academy at Albany. There are no marks of violence upon the work; had it been an image or idol of worship by the Indians, it could have been easily destroyed or mutilated with a slight blow by a small stone, and the toes and fingers could have been easily broken off. It lay in quicksand, which, in turn, rested upon compact clay. My conclusion regarding the object of the deposit of the statue in this place, is as follows:--It was for the purpose of hiding and protecting it from an enemy who would have destroyed it, had it been discovered. It must have been carefully laid down, and as carefully covered with boughs and twigs of trees which prevented it from being discovered. Traces of this new decomposed vegetable covering can be seen on every side of the trench, and it is quite evident this vegetable matter originally extended across and above the statue.