The American Missionary — Volume 38, No. 06, June, 1884 — John Shaqi
The American Missionary — Volume 38, No. 06, June, 1884Various
Religion
The American Missionary — Volume 38, No. 06, June, 1884
Various
Congregational churches -- Missions -- Periodicals; Home missions -- Periodicals
A word now in explanation of the illustrations accompanying this
article. An Indian chief is prominent in the first cut. His son is on
horseback beside him. His wives and younger children are seated on
the ground. The influence of civilization already appears in the
dress of these people and in their use of cattle. The second cut
represents a small portion of the large burying-ground at Fort
Berthold. The wigwams in the third cut are mostly of skin, but
generally canvas furnished by the Government is now used. The
arrangement of poles and the desolate appearance of the tents
scattered here and there are true to life. In the sixth cut the heavy
earrings and necklace are of wampum and very valuable. The dress,
while cut in Indian fashion, is, like nearly all that the Indians now
wear, furnished by the Government. The Indian in the fifth cut wears
his hair long and tied up in two queues, with mink-skin pendants. His
constant companion, a pipe of red pipe-clay, is in his lap. The lodge
in the seventh cut admirably represents the peculiar homes of Fort
Berthold Indians. It is very large, and sometimes divided into
several rooms inside. It is well constructed as a protection against
the severe winters of Northern Dakota.
[Illustration: INDIAN BOYS AT SANTEE NORMAL TRAINING SCHOOL.]
On the top of the lodge an Indian is standing. For many years the
Indians of Fort Berthold have been accustomed thus to look out across
the Missouri, on the watch, lest their ancient enemies, the Sioux,
steal upon them unaware. Beside the Indian may be seen the wicker
framework of a "bull boator," skin coracle. The Indians can seize
these in a moment, run with them on their heads to the river, and
paddle across the Missouri with ease after a deer or a buffalo. In
the foreground is a _travoir_, or Indian wagon, made of two poles
with a pouch of leather thongs slung between them. A pony rather than
a dog ordinarily drags this. Another cut represents the Santee Indian
as he was a few years ago. He now lives in a comfortable log-house,
or often in a frame house given him by the Government. In the last
cut are very good likenesses of two girls who are now at the Normal
Training School sustained by the American Missionary Associates at
Santee. They are pure-blooded Indians. Their father is a chief at
Fort Berthold, who has turned from his wild life to become a regular
attendant at church and a thoughtful imitator of the white man's
ways.
[Illustration: DAUGHTERS OF INDIAN CHIEF "POOR WOLF."]
Two other cuts represent groups of school-children at Santee, all
Indians. The artist has not exaggerated the bright and attractive
look upon their faces. They come from all parts of Dakota and the
Santee Reservation. In the ninth cut is represented an Indian who,
with a white man's shirt, retains his native leggings, blanket,
necklace and tomahawk.
* * * * *
FORTY-FIVE YEARS IN WASHINGTON TERRITORY.
REV. CUSHING EELS, D.D.
Public-domain text, read in full here on John Shaqi.
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