The American novel to-day : $b A social and psychological studyMichaud, Régis
History
The American novel to-day : $b A social and psychological study
Michaud, Régis
American fiction -- History and criticism; Psychological fiction, American -- History and criticism; Social problems in literature
Jazz, the Follies, the flapper in a green and orange dress, with her
red warpaint on, impossible riots of color in a world which abhors
gray! And the “movies”! They, too, deprived of all color, flaming
through the imagination of those watching them, a boundless flame of
romance, irrepressible humor, luxury, horror and great passion. Those
human souls which know not passion, which are able to create neither
romance nor splendor nor horror, those infinitely varied phases of
Beauty, those souls seek outside of themselves what they lack--a search
often futile, and how disastrous!
But imagination will not capitulate. If it cannot express itself
through dance or song, then it will try protestations and clamors. If
it cannot be a great flame, it will be a deformity. If not Art, it
will be Crime. Men, women and children cannot possibly be content with
a humdrum life. Let imagination embellish it, even to the point of
exaggeration. Let it give to life a touch of splendor and of horror,
with infinite beauty and depth. To receive all this from the outside
is not enough. A mere acceptation does not suffice. Imagination, to
satisfy itself, needs creative energy. The “flamboyant” expresses faith
in this energy. It is a cry of joy, a declaration of richness. It is,
at any rate, the first principle of all art.[62]
It was not without a purpose that I have quoted in the course of these
essays these confessions at some length. Behind the mask of fantasy
their accent is poignant at times. Let us remember particularly the
manner in which William Carlos Williams conceives art as a diversion to
and a remedy for inhibitions and dangerous living. I accept his views
readily. I do not want to pose as a sociologist or as a prophet, but I
venture to say that this æsthetic theory seems to be in perfect accord
with what the American novelists of to-day consider as the needs of
human nature. One fact is positive, if they have told the truth and
if my report has been accurate. A civilization, no matter how great
and prosperous, cannot rest upon the suppression of passions and the
restraint of human emotions. It cannot last without “Gay Science.” A
system of obstinate prohibitions opens the door to neurotic disorders,
crime and every form of eccentricity and perversion.
Public-domain text, read in full here on John Shaqi.
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