The American novel to-day : $b A social and psychological studyMichaud, Régis
History
The American novel to-day : $b A social and psychological study
Michaud, Régis
American fiction -- History and criticism; Psychological fiction, American -- History and criticism; Social problems in literature
American humor, according to James, was born from the bareness of the
American scene. It bobbed up in America for reasons analogous to those
which seventeenth-century savants assigned to the rising of the liquid
column in the barometer: “_la nature a horreur de vide_”; nature is
afraid of the vacuum and must find some compensations for it. Such was
the map of the great American desert drawn by Henry James. For Walt
Whitman, the United States were a cornucopia. They were a blank for
Henry James. He fled to Great Britain to forget the great Valley of
Death and the call-of-the-wild. To imagine Henry James and Jack London
as countrymen takes not a little imagination indeed.
As a challenge to this unpatriotic programme, let the reader remember
the sarcasms heaped on European aristocracy, traditions and culture
by Mark Twain, in “Innocents Abroad” and “The Prince and the Pauper,”
which are contemporary with Henry James’ productions. Mark Twain voted
for American philistinism, and American literature to-day has also cast
its suffrage in favor of the democratic ideals. Puritanism was the
last form of aristocratic tradition in the United States. Henry James’
indictment of his native country marked the parting of the ways between
the ancient and the modern, between tradition and evolution, culture
and spontaneity. A character in one of his early novels solved for us
the riddle of James’ exile. He told us that Americans are artistically
disinherited; that they are condemned to be superficial; that they
do not belong to the magic circle; that the substratum of American
perceptions is thin, barren, artificial; that, as follows, Americans
are bound to imperfection. To excel in anything they have ten times
more things to learn than a European. There is a certain deep sense
which they lack. They have neither taste, tact nor strength. How could
they have any? Their climate is harsh and violent, their past silent,
their present dizzying, their environment oppressive and without
charms. There is nothing in America to feed, stir and inspire an
artist. All aspiring souls become exiles.
Public-domain text, read in full here on John Shaqi.
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