The American novel to-day : $b A social and psychological study — John Shaqi
The American novel to-day : $b A social and psychological studyMichaud, Régis
History
The American novel to-day : $b A social and psychological study
Michaud, Régis
American fiction -- History and criticism; Psychological fiction, American -- History and criticism; Social problems in literature
This spiritual effervescence is well worth our attention. The literary
nonconformist is a type not yet extinct in America. A revival of
the protestant spirit and of critical examination has taken place
in American literature. More faith and conviction have been spent
in literary production than in the pulpit of the churches. The late
Randolph Bourne was a typical example of the American literary radical,
and Mr. Henry Mencken continues the tradition among us.
Even from the literary point of view, the American novel in the
nineteenth century envied the rest of the world nothing. It produced
excellent models of all kinds. The novel of adventure, the novel of
manners have been stamped by Cooper and Hawthorne with the authentic
seal of genius. More recently, Henry James showed himself a master
of the psychological novel and an unparalleled artist. The vogue in
America and abroad of the American “movies” could not be explained
without the writings of Jack London. The short story, since Edgar Poe,
had been a product copyrighted in America, while American humorists had
won a worldwide reputation.
When all is told, if we make an inventory of the literary production
in the world, as compared with that of the United States, in prose
and verse, since, let us say, the advent of Baudelaire in France, we
see that America, a so-called utilitarian country, has set, in more
than one way, modern literary standards, with Poe, Whitman, Henry
James. Meanwhile, in the realm of thought, American philosophy and
psychology exerted a capital influence abroad. (A recent novel by M.
Paul Bourget[1] still takes for granted all the doctrines professed by
William James in his “Handbook of Psychology.”)
Let this be said in way of prelude, to make the readers of this
volume well aware of the fact that the author does not accept without
reserve all the criticisms hurled against American literature by
modern American critics. The fertility and originality of American
literature, in a country without literary traditions or institutions,
are facts beyond all doubt. They fill one with optimism regarding the
intellectual future of this great nation.
Public-domain text, read in full here on John Shaqi.
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