The American novel to-day : $b A social and psychological study — John Shaqi
The American novel to-day : $b A social and psychological studyMichaud, Régis
History
The American novel to-day : $b A social and psychological study
Michaud, Régis
American fiction -- History and criticism; Psychological fiction, American -- History and criticism; Social problems in literature
It marked a return of the American mind to the natural line of American
migration, from frontier to frontier, across the continent. The writers
took the path of the missionaries, the pioneers and the captains of
industry, the path of the covered wagon.
This was a challenge to the ideals of their predecessors. Classic
American writers leaned more on the East than on the West, more on
Europe than on their own country. Their literary taste and ideals,
if not always their programme, were European, or if you prefer,
Victorian. The new literature is strictly indigenous. It is crude and
in many ways primitive. It is no longer manufactured in drawing-rooms
or in studios, but in immediate contact with life. The great American
novel of the nineteenth century was exotic and retrospective. It
was sentimental and romantic. Its ethical and social background
was traditional. Sentimentality and romance, the search after the
picturesque, have gone by the boards. They have passed to the “movies”
or to the popular magazines, the latter almost as backward to-day as
they used to be fifty years ago and as harmless. The novel of adventure
has been extinct, as a _genre littéraire_ in America, since the death
of Jack London. Even the social novel has suffered a radical change.
It is no longer written from the outside, from the point of view of
society, as in the days of Frank Norris or Upton Sinclair. It is now
written from the inside, from the point of view of the individual. It
is more psychological than social. In fact, while the American novel
became more realistic, it also began to be beset by moral problems.
It ceased to be an epic to become a satire. From this point of view,
however, despite their cynicism, the new masters of American fiction
show themselves true to the old ideal. Their books are fraught with
idealism, with the spirit of reform and amelioration. Even when they
fight Puritanism, the American literary insurgents show themselves
more puritanic than the Puritans. They are haunted by the dream of a
better world and of a better humanity.
Public-domain text, read in full here on John Shaqi.
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