For this purpose, printing-offices are provided with a ley-trough, suspended on a cross-frame, and swinging by iron ears fixed somewhat out of the precise centre, so that the gravity of the trough will cause it to fall in a slanting position forward. This trough is lined with lead, the top front edge being guarded from the pitching of the forms by a plate of iron. The form having been placed in the trough, on its side, the pressman takes hold of the rim of the chase by the hook, or instrument for that purpose, and, laying it gently down, pours the ley upon it, and sluices it by swinging the trough on its pivots two or three times to and fro; then, taking the ley-brush, he applies it to the whole form, type, furniture, and chase; the ley is then let out into a receptacle, and the form well rinsed with clean water, by swinging the trough as before; the form is then lifted out, and consigned to the care of the compositor. The ley is made of pot or pearl ash, or, what is better, of concentrated ley. A large earthen jar is usually chosen for the purpose; a sufficient quantity of ash or concentrated ley is added to the water to make it bite the tongue sharply in tasting. The ley-brush is made large, the hairs close, fine, and long, in order not to injure the type, while sufficient force is applied to search every interstice in the letter where the ink can have insinuated itself. MAKING READY ON CYLINDER PRESSES. Make clean the bed of the press and the impression segment of the cylinder. Adjust the bearers a trifle above ordinary type height. See that the impression screws have an even bearing on the journals, and that the cylinder fairly meets the bearers. Select a suitable tympan or impression surface. The tympan may be the India-rubber cloth which is furnished with the press, a thick woollen lapping cloth or blanket, several sheets of thick calendered printing paper, or one or more smooth and hard pasteboards. Each of these materials has merits not to be found in any other. Upon the proper selection of the tympan the presswork in great measure depends, and the pressman should be thus guided in making choice. _A pasteboard tympan_ is most suitable for wood-cuts, for perfectly new type, and for the best kinds of presswork. It is not suitable for miscellaneous work, nor for heavy forms, nor mixed old and new type. If the overlaying is properly executed, a pasteboard tympan will enable the pressman to show a sharper edge and a more delicate impression of the type than can be possible with any other, and it will wear the type less than any other. But it will require a very tedious and careful making ready, or it will prove very destructive to type.