The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.MacKellar, Thomas
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The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.
MacKellar, Thomas
Graphic design (Typography); Printing -- United States -- Handbooks, manuals, etc.; Printing industry -- United States
_A woollen blanket_ is best adapted for old stereotype plates, for very
old type which has been rounded on the edges, for posters with large wood
type, and for all common work which requires a clear but dull impression.
For such work a woollen blanket will enable the pressman to make ready a
form more quickly than with any other material; but it is injurious to
new type, and incapable of producing a fine and sharp impression.
_Thick paper_ is much used for book-work. It also answers well for script
circulars and leaded forms. It will not answer so well for mixed old and
new type, nor for table-work with unequal heights of brass rule, nor
for mixed large and small type. It will prove most serviceable for the
average of light and fine presswork.
_The India-rubber cloth_ combines many good qualities not found in other
tympans: it has something of the density of the pasteboard, the hardness
and evenness of paper, and the flexibility of the blanket, combined with
an elasticity peculiarly its own. It will compass a greater variety of
work than any other: posters, script circulars, news and book forms,
stereotype plates, and old or new type, can all be well printed with
an India-rubber blanket. When it is intended to make one tympan answer
for all kinds of work, the India-rubber blanket will be found decidedly
superior to all others; but when very extra presswork is wanted, the
tympan must be specially adapted to the form of type.
There are forms for which none of these tympans are specially suitable.
For such cases careful pressmen combine two or more together,—as Welsh
flannel over rubber, or thin rubber over pasteboard or under paper.
These, however, are exceptional cases, and are only thus combined
when very good presswork is wanted from imperfect materials. Careful
observation of the _quality_ of the impression given by each style of
tympan will teach a pressman how to combine to the best advantage. As it
requires experience and discrimination, an arbitrary rule cannot be given.
Whatever may be the material selected, the tympan must be stretched very
tightly over the cylinder. All labour in overlaying is but thrown away
if this is not carefully attended to. A rubber or woollen blanket can
be secured at one end of the cylinder by small hooks projecting inward,
while it may be laced tightly with saddler’s thread at the other end; or,
by sewing on that end of the blanket a piece of canvas, it may be wound
tightly around the reel, and kept secure by the pawl and ratchet.
Public-domain text, read in full here on John Shaqi.
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