The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc. — John Shaqi
The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.MacKellar, Thomas
History
The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.
MacKellar, Thomas
Graphic design (Typography); Printing -- United States -- Handbooks, manuals, etc.; Printing industry -- United States
In 1818, or soon after, a type and stereotype foundry was established in
Boston, and another in Cincinnati, principally through the enterprise
of the late Elihu White, who, having the means of multiplying matrices
with facility, took this method for the extension of his business. Others
followed his example, and type-foundries were established in Albany,
Buffalo, Pittsburgh, Louisville, and St. Louis, with several additional
in New York, Boston, Philadelphia, and Baltimore. The business, in fact,
was overdone, and failures and suppressions took place, as competition
reduced the prices of types.
The mode of type-founding has within forty years undergone important
changes, which must no doubt be considered improvements. First among
them is the introduction of machine-casting, in which a pump forces
the fluid metal into the mould and matrix, and gives a sharper outline
to the letter than was formerly given by the most violent throw of the
caster. The old practice of casting a single type only at a time remains.
The first idea of this machine originated with William M. Johnson, who
obtained a patent for it in 1828. Elihu White put it into use in his
type-foundry, and persevered in using and trying to improve it as long as
he lived; but he did not succeed in removing the greatest fault, which
was a hollowness in the body of the types cast by it, that inclined them
to sink under the pressure of the printing-press. The first successful
type-casting machine was invented by David Bruce, Jr., of New York, and
was patented March 17, 1838. The patent was sold to George Bruce, and
the machines were used by him until 1845. David Bruce meanwhile patented
another machine in 1843, which, with new improvements, patented two years
later, gave entire satisfaction, and is now in general use in American
foundries. By Bruce’s machine, three times the quantity of type that
was cast by Binny & Ronaldson’s improved mould is now cast in a given
time, and nearly five times the quantity that was cast by the common
hand-mould eighty years ago. This improvement has passed into Europe, and
been adopted by most of the German type-founders; but in Great Britain
for some time it found little favour. A so-called “automatic machine,”
for casting and finishing type, invented by Johnson & Atkinson, is in
operation in London; but its rate of production seems to be less than
that of the American machine, while, from its multiform operations, the
proportion of imperfect type turned out must of necessity be considerably
more.
The protection now afforded by the patent laws having checked the
piratical production of matrices by electrotyping, (except in plain
faces, a practice still pursued by unprincipled type-founders,) the
leading founders in this country have been encouraged to produce types of
new styles which in beauty and ingenuity surpass those of foreign origin.
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