The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.MacKellar, Thomas
History
The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.
MacKellar, Thomas
Graphic design (Typography); Printing -- United States -- Handbooks, manuals, etc.; Printing industry -- United States
You wonder what these curious-looking instruments are which lie, in
dusty repose, on the shelves around the room? Those, Mr. Typograph, are
hand-moulds, and at one time they provoked intense covetousness on the
part of rival founders. One of our earliest predecessors, Mr. Archibald
Binny (our foundry dates from 1796), added such valuable improvements to
the ordinary mould, that no other foundry in the world could rival the
expedition and accuracy with which types were cast in the establishment
of which he was a co-proprietor. Their day has passed, however. They
have been superseded by the machines which you will see in operation in
another apartment. But they were capital things in their time, sir, and
we regard them with somewhat of an antiquary’s reverence.
Now we enter the casting-rooms. These tiny machines, small as they
are, can throw out more type in one day than you would be likely to
count in a month, even if you could call off one hundred a minute, and
occupy ten hours a day. Snug little fellows, are they not? They were
invented by a New-Yorker, Mr. David Bruce, Jr. A very ingenious man, you
say? That is true. Look at one carefully. The metal is kept fluid by a
little furnace underneath, and is projected into the mould by a pump,
the spout of which, you see, is in front of the metal-pot. The mould is
movable, and at every revolution of the crank it comes up to the spout,
receives a charge of metal, and flies back with a fully-formed type in
its bosom; the upper half of the mould lifts, and out jumps a type as
lively as a tadpole. You don’t see how the letter is formed on the end
of the type? True, we had forgotten: well, this spring in front holds in
loving proximity to the mould a copper matrix, such as you saw just now
in the fitting-room. The letter a, for instance, stamped in the matrix,
sits directly opposite the aperture in the mould which meets the spout
of the pump; and when a due proportion of a’s is cast, another matrix
with b stamped in it takes its place; and so on throughout the alphabet.
Slow work, you say, one at a time? Well, the world is peopled after that
fashion; and it fills up fast enough. But just time this machine: it is
making small, thin type. Count the type made in a minute. One hundred
and seventy-five, you say. One hundred per minute will probably be the
average of the ordinary sizes of printing type.
Public-domain text, read in full here on John Shaqi.
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