The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc. — John Shaqi
The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.MacKellar, Thomas
History
The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.
MacKellar, Thomas
Graphic design (Typography); Printing -- United States -- Handbooks, manuals, etc.; Printing industry -- United States
Owing to the varying styles of authors and the diverse subjects of books,
some letters will now and then run short in a fount, whatever the
proportions may have been at first. A new fount of type may run evenly on
a work in general literature written in the third person, while a novel
filled with dialogues in the first person will rapidly exhaust certain
letters, and require sorts to render the fount serviceable to its full
general capacity. So with scientific and other books. Even in the case
of two authors writing on the same subject, there is no certainty that
the fount will run alike. The master-printer, therefore, to keep the
entire letter in use, is compelled to order sorts, and his fount is thus
constantly growing larger.
A FOUNT OF TYPE.
A complete fount of type may be comprised under the following heads:—
_CAPITALS._
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Æ Œ &
_SMALL CAPITALS._
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Æ Œ &
_LOWER CASE._
a b c d e f g h i j k l m n o p q r s t u v w x y z æ œ ff fi ffi fl ffl
_ITALIC CAPITALS._
_A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Æ Œ &_
_ITALIC LOWER CASE._
_a b c d e f g h i j k l m n o p q r s t u v w x y z æ œ ff fi ffi fl ffl_
_FIGURES AND FRACTIONS._
1 2 3 4 5 6 7 8 9 0 ¼ ½ ¾ ⅓ ⅔ ⅛ ⅜ ⅝ ⅞
_POINTS AND REFERENCES._
, ; : ? ! - ’ ( ) [ ] * † ‡ § ∥ ¶
_BRACES, DASHES AND COMMERCIAL SIGNS._
$ £ ° ` ´ [symb] [symb] [symb] - – — ⸺ ☞ ☜ @ ⅌ ℔
Four kinds of spaces; en, em, two and three em quadrates.
Accents.
These are the ordinary sorts cast to a fount, and are classified by
founders as long, short, ascending, descending, kerned, and double
letters.
LONG LETTERS fill the whole depth of the face of the body, and are both
ascending and descending, such in the Roman as Q and j, and in the Italic
_f_.
SHORT LETTERS have the face cast on the middle of the body, (by founders
called shank,) as a, c, e, m, n, o, r, s, u, v, w, x, z, all of which
will admit of being bearded above and below the face, both in Roman and
Italic.
ASCENDING LETTERS are all the Roman and Italic capitals; in the lower
case, b, d, f, h, i, k, l, t.
DESCENDING LETTERS are g, p, q, y, in Roman and Italic.
KERNED LETTERS are types that have part of the face hanging over either
one or both sides of the body. In Roman, f and j are the only kerned
letters; but, in Italic, _d_, _g_, _j_, _l_, _y_ are kerned on one side,
and _f_ on both sides of its face. Most Italic capitals are kerned on one
side of the face.
The DOUBLE LETTERS in modern use are ff, fi, ffi, fl, ffl; and these are so cast
to prevent the breaking of the beak of the f when used before a tall
letter. The diphthongs æ and œ may be classed among double letters.
Printers divide a fount of letter into two classes.
1. _The upper case_ } _sorts._
2. _The lower case_ }
The upper case sorts are capitals, small capital letters, references,
dashes, braces, commercial signs and fractions.
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