The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.MacKellar, Thomas
History
The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.
MacKellar, Thomas
Graphic design (Typography); Printing -- United States -- Handbooks, manuals, etc.; Printing industry -- United States
The small capitals C, O, S, V, W, X, Z so closely resemble the same
letters in the lower case, that care is required to prevent intermixing.
In manuscript, small capitals are denoted by _two lines_ drawn under the
words.
Italic words are designated by a _single stroke_ underneath.
POINTS.
Points consist of a comma, semicolon, colon, period or full-point, mark
of interrogation, and mark of admiration. Shortly after the invention of
printing, the necessity of stops or pauses in sentences for the guidance
of the reader produced the colon and full-point. In process of time, the
comma was added, which was then merely a perpendicular line, proportioned
to the body of the letter. These three points were the only ones used
till the close of the fifteenth century, when Aldo Manuccio gave a better
shape to the comma, and added the semicolon; the comma denoting the
shortest pause, the semicolon next, then the colon, and the full-point
terminating the sentence. The marks of interrogation and admiration were
introduced many years after.
Perhaps there never existed on any subject a greater difference of
opinion among men of learning than on the true mode of punctuation.
Some sprinkle the page with commas almost as promiscuously as if from a
pepper-box, and make the pause of a semicolon where the sense will bear
only a comma; while others are extremely careless, and omit points even
when they are needed to give the true sense of a passage at the first
reading.
The lack of an established practice is much to be regretted. The loss
of time to a compositor occasioned by altering points arbitrarily is
a great hardship. Manuscripts are often placed in the printer’s hands
without being properly prepared: either the writing is illegible, the
spelling incorrect, or the punctuation defective. Unless the author will
take entirely on himself the responsibility of the pointing, it will be
better to omit every point in the copy, except at the end of a sentence,
rather than confuse the mind of the compositor by commas and semicolons
placed indiscriminately, in the hurry of writing, without any regard to
propriety.[10]
The COMMA [,] divides the clauses of a long or involved sentence, and
commonly marks the shortest pause in reading.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account