The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.MacKellar, Thomas
History
The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.
MacKellar, Thomas
Graphic design (Typography); Printing -- United States -- Handbooks, manuals, etc.; Printing industry -- United States
It has been supposed that the Romans used M to denote 1000 because it
is the first letter of Mille, which is Latin for 1000; and C to denote
100, it being the first letter of Centum, the Latin term for 100. Some
also suppose that D, being formed by dividing the old M in the middle,
was therefore appointed to stand for 500,—that is, half as much as the M
stood for when it was whole; and that L being half a C, was, for the same
reason, used to denominate 50. But the most natural account of the matter
appears to be this:—
The Romans probably put down a single stroke, Ⅰ, for one, as is still the
practice of those who score on a slate, or with chalk; this stroke they
doubled, trebled, and quadrupled, to express two, three, and four: thus,
ⅠⅠ, ⅠⅠⅠ, ⅠⅠⅠⅠ. So far they could easily number the strokes with a glance
of the eye; but they found that if more were added it would be necessary
to count the strokes one by one: for this reason, when they came to five,
it was expressed by joining two strokes together in an acute angle, thus,
Ⅴ.
After they had made this acute angle, Ⅴ, for five, they then added
single strokes to the number of four, thus, ⅤⅠ, ⅤⅠⅠ, ⅤⅠⅠⅠ, ⅤⅠⅠⅠ, and
then, as the strokes could not be further multiplied without confusion,
they doubled their acute angle by prolonging the two lines beyond their
intersection, thus, Ⅹ, to denote two fives, or ten. After they had
doubled, trebled, and quadrupled this double acute angle, thus, ⅩⅩ, ⅩⅩⅩ,
ⅩⅩⅩⅩ, they then, for the same reason which induced them to make a single
angle first, and then to double it, joined two single strokes in another
form, and, instead of an acute angle, made a right angle, Ⅼ, to denote
fifty. When this was doubled, they then doubled the right angle, thus,
⊏, to denote one hundred, and, having numbered this double right angle
four times, thus, ⊏⊏, ⊏⊏⊏, ⊏⊏⊏⊏, when they came to the fifth number, as
before, they reverted it, and put a single stroke before it, thus, Ⅰ⊐,
to denote five hundred; and, when this five hundred was doubled, then
they also doubled their double right angle, setting two double right
angles opposite to each other, with a single stroke between them, thus,
⊏Ⅰ⊐, to denote one thousand: when this note for one thousand had been
repeated four times, they then put down Ⅰ⊐⊐ for five thousand, ⊏⊏Ⅰ⊐⊐ for
ten thousand, and Ⅰ⊐⊐⊐ for fifty thousand.
Public-domain text, read in full here on John Shaqi.
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