The American Spirit in Literature: A Chronicle of Great InterpretersPerry, Bliss
History
The American Spirit in Literature: A Chronicle of Great Interpreters
Perry, Bliss
American literature -- History and criticism
Although Henry James, like Mr. Howells, wrote at one time acute studies
of New England character, he was never, in his relations to that
section, or, for that matter, to any locality save possibly London,
anything more than a "visiting mind." His grandfather was an Irish
merchant in Albany. His father, Henry James, was a philosopher and wit,
a man of comfortable fortune, who lived at times in Newport, Concord,
and Boston, but who was residing in New York when his son Henry was born
in 1843. No child was ever made the subject of a more complete theory of
deracination. Transplanted from city to city, from country to country,
without a family or a voting-place, without college or church or creed
or profession or responsibility of any kind save to his own exigent
ideals of truth and beauty, Henry James came to be the very pattern of a
cosmopolitan. Avoiding his native country for nearly thirty years and
then returning for a few months to write some intricate pages about that
American Scene which he understood far less truly than the average
immigrant, he died in 1916 in London, having just renounced his American
citizenship and become a British subject in order to show his sympathy
with the Empire, then at war. It was the sole evidence of political
emotion in a lifetime of seventy-three years.
American writing men are justly proud, nevertheless, of this expatriated
craftsman. The American is inclined to admire good workmanship of any
kind, as far as he can understand the mechanism of it. The task of
really understanding Henry James has been left chiefly to clever women
and to a few critics, but ever since A Passionate Pilgrim and Roderick
Hudson appeared in 1875, it has been recognized that here was a master,
in his own fashion. What that fashion is may now be known by anyone who
will take the pains to read the author's prefaces to the New York
edition of his revised works. Never, not even in the Paris which James
loved, has an artist put his intentions and his self-criticism more
definitively upon paper. The secret of Henry James is told plainly
enough here: a specially equipped intelligence, a freedom from normal
responsibilities, a consuming desire to create beautiful things, and, as
life unfolded its complexities and nuances before his vision, an
increasing passion to seek the beauty which lies entangled and betrayed,
a beauty often adumbrated rather than made plastic, stories that must be
hinted at rather than told, raptures that exist for the initiated only.
The much discussed early and middle and later manners of James are only
various campaigns of this one questing spirit, changing his procedure as
the elusive object of his search hid itself by this or that device of
protective coloration or swift escape. It is as if a collector of rare
butterflies had one method of capturing them in Madagascar, another for
the Orinoco, and still another for Japan--though Henry James found his
Japan and Orinoco and Madagascar all in London town!
Public-domain text, read in full here on John Shaqi.
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