Last came Joy's ecstatic trial: He, with viny crown advancing, First to the lively pipe his hand addressed: But soon he saw the brisk, awakening viol, Whose sweet entrancing voice he loved the best. They would have thought, who heard the strain, They saw, in Tempé's vale, her native maids, Amidst the festal-sounding shades, To some unlearned minstrel dancing; While, as his flying fingers kissed the strings, Love framed with Mirth a gay fantastic round. Strike--till the last armed foe expires; Strike--for your altars and your fires; Strike--for the green graves of your sires,-- God.--and your native land! QUALITY. A voice may possess the properties we have considered, strength and compass, and yet be very far from perfection. It may be neither loud, nor round, nor clear, nor full, nor sweet. While on the other hand, it may be hollow, or aspirated, or guttural, or nasal, or possibly it may be afflicted with a combination of these faults. As one of the most important conditions of success in the cultivation of the voice, it is necessary that the student should acquire a distinct conception of the qualities and characteristics of a good voice, as a standard, a beau-ideal, which he may strive to reach. This must be derived mainly from the illustrations of the teacher, or from listening to the speaking of an accomplished orator. No mere description is adequate to convey it to the learner without the aid of the living voice. And yet, such a quaint and charming description of both the negative and positive qualities of a good voice, as the following, from a colloquy between Professor Wilson and the Ettrick Shepherd, is worth studying:-- NORTH. (Professor Wilson) "James, I love to hear your voice. An Esquimaux would feel himself getting civilized under it for there's sense in the very sound. A man's character speaks in his voice, even more than in his words. These he may utter by rote, but his 'voice is the man for a' that,' and betrays or divulges his peculiar nature. Do you like my voice, James? I hope you do." Shepherd. (James Hogg.)