Labor unions -- United States -- Drama; Social classes -- United States -- Drama; Strikes and lockouts -- Drama
_Scene: A street showing, right, the great lumber plant of the Egerton
Company. Centre, occupying the greater part of the space between left
and right, a sort of common, overstrewn, as such places usually are,
with sawdust and waste sawings of the mill, extends back a hundred yards
or so to where the river sweeps in from behind a rising slope on the
left and disappears behind the high fence of the mill-yard on the right.
Across the river, right, the same denuded mountains as were seen in the
preceding Act, and, centre, the alluvial stretches of the valley
widening out into the plains. Left rear, on this side of the river, a
sort of hill comes in and upon its rather steep slope are rows of
roughly built plank houses which have evidently been standing many
years. They are all of one design and rest in the rear upon the ground,
the front being propped up on posts, in some cases six or eight feet
high. Of two or three of these shacks it would seem that the occupants
had tried to have a garden, for here and there are small green patches
as of late turnips, also tall stakes with withered bean vines clinging
to them. From the numerous footpaths that come down toward the mill-gate
it is evident that these shacks are the homes of the employees of the
Egerton Company. The mill-yard on the right is surrounded by a high
board-fence. New planks have recently been put in here and there, and on
top of the fence, apparently just strung, are several rows of bright new
barbed wire. Over the top of the fence and through the open gates of the
driveway which is in the corner, a portion of the latter having been cut
off for this purpose, are seen countless lumber stacks, and beyond
these, far back and facing left, a section of an enormous mill. Along
the comb of the roof, doubtless running its full length, is a large red
sign with white letters of which one sees only: RTON AND CO._
_Before the entrance to the mill-yard two of the State militia with
rifles upon their shoulders patrol the property, one of them pacing
right and left along the street in the foreground, the other backwards
and forwards in the open space that goes toward the river. About twenty
feet from the entrance stands a large red automobile, under which,
stretched upon his back, lies the chauffeur, with his hands up fixing
something._
_As the Scene opens, the two sentries, one of them rolling a cigarette,
the other with his gun behind his head and with his arms hanging over
it, stand listening back toward the mill, where a number of voices are
singing, 'There'll Be a Hot Time in the Old Town To-night.' When the
song is finished a cheer goes up._
_Time: The afternoon of the next day about four o'clock._
FIRST SENTRY.
All I say is, keep your tobacco dry
And don't go wiring the folks at home
To have your supper warm to-morrow night.
CHAUFFEUR.
They'll be to work, all right, you take my word.
FIRST SENTRY.
Public-domain text, read in full here on John Shaqi.
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