Labor unions -- United States -- Drama; Social classes -- United States -- Drama; Strikes and lockouts -- Drama
(_Continues putting on his glove_)
Tell mother I've inquired of the men
And they've seen nothing of him.
CHAUFFEUR.
Yes, sir.
GEORGE EGERTON.
What?
CHAUFFEUR.
Nothing of Harry, sir.
GEORGE EGERTON.
(_Walks left, then comes back_)
Jack.
CHAUFFEUR.
Yes, sir.
GEORGE EGERTON.
Jack.
(_Looks over in the car_)
Did you find any hair-pins in the car
This morning?
CHAUFFEUR.
Not this morning.
GEORGE EGERTON.
(_Takes a coin from his pocket and hands it to the chauffeur_)
You'll take care.
(_He goes out left, examining his face in a small mirror which he
has taken out with the coin. The Second Sentry has come in right
and stands reading a notice which is tacked on the fence_)
CHAUFFEUR.
By sun-down, don't it?
SECOND SENTRY.
Something of the sort.
CHAUFFEUR.
And the wind sharpening up across the plains.
They'll think twice, won't they, before they stay out?
SECOND SENTRY.
Who signed this name here?
CHAUFFEUR.
Eg--the boss himself.
SECOND SENTRY.
Hell of a hand he writes.
CHAUFFEUR.
Your partner there
Knows about as much of the situation here
As a sea-turtle knows of sassafras.
Talks of a match. There's been no match at all.
The old man's never tried to start the mill.
But let a thing like that go up some day.
(_Buck Bentley with an empty nail keg in his hand comes from the
mill-yard and sits down with his back to the farther gate-post and
begins to fill his pipe_)
CHAUFFEUR.
If you've heard thunder, one of those loud claps
That ends the winter, and if you'd lived here
And knew the old man's power, then you'd know
I'm shooting low when I say they'll be here,
If they don't all fall dead upon the way.
They've got to make hay now. Days don't stand still
When the old man is moving to and fro.
(_Goes about oiling the machine_)
FIRST SENTRY.
(_Coming forward_)
If Williams comes, I'll tell you what he'll do.
With the big force he'll have behind his back,
He'll lock these gates and coop the old man up
With Jergens and the Chief and all the rest.
Then say, 'Now take me home.' You know the way.
You'll take him to the big house on the hill.
(_The Chauffeur turns and looks at him half in anger, half in
contempt_)
FIRST SENTRY.
You won't dare look at him that way.
SECOND SENTRY.
Dan's right.
You fellows, you that shove those things about,
You have a way of knowing who's the lord.
FIRST SENTRY.
Exactly. And this man Williams up and down
Is big as Egerton. And the old man's 'spike'
Will touch him where the tailors say it should.
And if it's lined with silk Williams won't care.
He'll steer the big blow-out this afternoon
And they won't know the difference. It's the front
And the big planet here that people see;
And Williams is as broad as Egerton.
(_A militiaman comes hurrying from the mill-yard_)
Public-domain text, read in full here on John Shaqi.
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