The Americans in the Great War; v. 3. The Meuse-Argonne Battlefields: (Montfaucon, Romagne, Saint-Menehould)
History
The Americans in the Great War; v. 3. The Meuse-Argonne Battlefields: (Montfaucon, Romagne, Saint-Menehould)
Argonne, Battle of the, France, 1918; France -- Guidebooks
The interior of the choir is imposing. The apse is six-sided--rather an
uncommon arrangement.
In the “Chapelle des Morts,” which opens off the northern nave, near the
transept, there is a Renaissance tomb with a remarkable bas-relief;
below is depicted a nude body lying in a grave, being devoured by worms;
above, three successive panels represent the Weighing of Souls, the
Mirror of Death, and Purgatory. Each subject is accompanied by an
inscription in French verse carved in fine black Gothic characters.
There are few sculptural representations of Purgatory earlier than the
16th century, and this is one of the earliest examples to be found.
=The Presbytery.=--The Presbytery, standing in a narrow street which runs
along the south side of the church, is an old wooden building, the
interior of which is in a perfect state of preservation. In it is kept
an earthenware model dating from 1530, which was brought from the Chapel
of St. Anne. This model, attributed to Ligier Richier, represents the
Virgin receiving the body of Christ after it had been taken down from
the Cross. It has been imperfectly restored and painted.
[Illustration: CLERMONT-EN-ARGONNE. SOUTH-EAST FRONT OF CHURCH]
[Illustration: CLERMONT-EN-ARGONNE. 15TH CENTURY CHURCH. RENAISSANCE
PORTAL]
=Chapel of St. Anne.=--Above the church, on the top of the St. Anne
Plateau, where the fortress used to stand, there now remains only an
unpretending chapel, much frequented by pilgrims. The building has a
wooden front, surmounted by a small steeple, and a stone choir with
pointed vaulting, the flamboyant ornament being in the same style as
that of the St. Didier Church. Four ancient elms give shade to the
parvis and rise high above the steeple. Inside is a sepulchre with six
almost life-size statues, acquired in 1829 when the Church of the
Minimes of Verdun was pulled down. Three only of these statues, the
three Maries, all painted, are late 16th century. The finest, which is
in the centre, is attributed by some to Ligier Richier, but this
appreciation is open to question. Near by there is a hermitage, which at
the beginning of the 17th century belonged to the Benedictines, and
later to the Franciscans. In 1845, the town of Clermont acquired the
whole plateau, the promenade, hermitage, and the chapel. From the
plateau--the highest point in the Argonne--there is a fine and very
extensive view over the Forest of Argonne on the left, and the Forest of
Hesse on the right, while the Vauquois-Montfaucon ridge appears in the
distance.
[Illustration: CLERMONT-EN-ARGONNE. CHURCH NAVE, SEEN FROM NORTH AISLES]
[Illustration: CLERMONT-EN-ARGONNE. THE ENTOMBMENT IN THE CHAPEL OF ST.
ANNE, ON THE PLATEAU OVERLOOKING ST. MENEHOULD]
_Return to and follow the Grand Rue which, outside the town, becomes N.
3 and runs alongside the railway to_ =Les Islettes= (_5 km. 800_).
Public-domain text, read in full here on John Shaqi.
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