Traversing a long, bare gallery, the ceiling of which was covered with clumsy painting, depicting Louis XIII and Apollo destroying the enemies of the kingdom, as represented by Furies and Hydras, they arrived at a door through which the Duke ushered the counsel for the defence of the religious communities into the room where, in 1605, Duc Guy, Grand-Marshal of France and governor of the province, had founded the library for the solace of his declining years and fortunes. It was a square room, occupying the whole of the ground floor of the west wing, lighted on the north, west, and south, by three uncurtained windows, offering three charming and magnificent pictures to the eye. Stretching away to the south was the lawn, in the centre of which was a marble vase, with a pair of ring-doves perching upon it. The trees of the park were visible, bared by the winter of their leaves, and in the purple depths of the dark walk glimmered the white statues of the pool of Galatea. To the west was a stretch of flat country, a wide expanse of sky, and the setting sun, which, like a mythological egg of light and of gold, had broken and spread its glory over the clouds. To the north were the ploughed red earth of the hills, the slate roofs and distant smoke of Brécé, and the delicate pointed steeple of the little church standing out in the cold, clear light. A Louis XIV table, two chairs, and a seventeenth-century globe with a wind-rose relating to the unexplored regions of the Pacific comprised the only furniture of this severe-looking room, the walls of which were lined from floor to ceiling with bookcases, enclosed by wire gratings. Even upon the red marble mantelpiece the grey-painted shelves encroached, and through the mesh of gilded wire peeped the richly decorated backs of ancient volumes. “The library was founded by the Marshal,” said M. de Brécé. “His grandson, Duc Jean, added many treasures to it during the reign of Louis XIV, and it was he who fitted it up as you see it to-day. It has not been much altered since.” “Have you a catalogue?” inquired M. Lerond. The Duke said that he had not, that M. de Terremondre, who was a great lover of valuable books, had warmly recommended him to have them catalogued, but he had never yet found time to have it done. He opened one of the cases, and M. Lerond drew out several volumes in succession, octavo, quarto, and folio, bound in marbled, stippled or tree-calf, parchment, and red and blue morocco, all bearing on their covers the coat of arms with the three torches surmounted by a ducal crown. M. Lerond was not a keen book-lover, but on opening a beautifully written manuscript on Royal Tithes, presented to the Marshal by Vauban, his astonishment and admiration knew no bounds. The manuscript was further embellished with a frontispiece, besides several vignettes and tail-pieces. “Are these original drawings?” asked M. Lerond. “Very probably,” replied M. de Brécé.