“Let us go into the armoury,” said Madame de Bonmont, pushing open the
door. “It is warmed with hot-air pipes.”
It was true that the armoury was so heated. Amidst the grotesque
encaustic tiles of M. Quatrebarbe, designed after the manner of the old
paving he had torn up, the hot-air gratings opened their bright brazen
mouths.
Madame de Bonmont was careful to invite the Abbé Guitrel to a seat near
one of the radiators, and to ask him if his feet were damp, and whether
he would not have a glass of something hot.
Under the ribbed vault of its roof, the huge room glittered with a
display of iron and steel such as not even the Armeria in Madrid
could boast. One or two of the financier’s brilliant business coups
had resulted in a collection of armour not to be equalled by that of
Spitzer himself.
Examples of the three centuries of plate armour were there in every
form known to Europe. On the gigantic chimney-piece, guarded by two
Brabançons in magnificent cuisses, a condottiere’s suit of mail
bestrode that of a horse, with open chamfron, horse muzzle, mane-guard,
tail-guard, and poitrel. The walls were covered from floor to ceiling
with dazzling suits of armour, casques, basinets, helmets, salades,
morions, skull caps, iron hats, hauberks, coats of armour, brigantines,
greaves, solerets, and spurs.
From the shields, bucklers, and targes, of all descriptions, radiated
flambergs, Konigsmark swords, partizans, gisarmes, war-scythes,
two-edged swords, Toledo rapiers, poniards, stylets, and daggers.
All around the room stood phantom figures clothed in polished and
unpolished steel; in steel, engraved, inlaid, chased, and damascened.
Maximiliennes with fluted and bowed cuirasses, puffed and bell-shaped
suits of armour, the “polichinelle” of Henri III, and the “écrevisse”
of Louis XIII. Panoplies of war that had adorned French, Spanish,
Italian, German, and English princes; coats of mail worn by knights,
captains, sergeants, crossbowmen, reiters, veterans, by soldiers of
fortune from every country in Europe, by mercenaries and Switzers.
Here was steel armour that had figured at the Field of the Cloth of
Gold; at the jousts and tourneys of England, France, and Germany;
armour from Poitiers, Verneuil, Granson, Fornovo, Ceresole, Pavia,
Ravenna, Pultava, and Culloden; worn by nobles or mercenaries, by
knights or caitiffs, by victor or vanquished, by friend or foe--all
collected by the Baron and displayed in this room.
Public-domain text, read in full here on John Shaqi.
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