This, to tell the truth, was by no means correct. Mathieu Michel, the pupil and emulator of David d’Angers, he whom the venerable master called the child of his old age, the republican sculptor and patriot, insurgent in ’48, volunteer in ’70, had not portrayed M. Gustave Lacarelle in this marble hero. No, indeed! This chief, with his shy and gentle look, clasping his lance, and seeming, under his wide-winged helmet, to be meditating upon the poetry of Chateaubriand and the historic philosophy of Henri Martin, this warrior, steeped in romantic melancholy, was not, in spite of what the people cried, the true portrait of M. Lacarelle. The _préfet’s_ secretary had big, prominent eyes, a short, snub nose, flabby cheeks, and a double chin. Mathieu Michel’s Eporedorix gazed with deep-set orbs into the distance. His nose was Grecian, and the contour of his face pure and classical. But, like M. Lacarelle, he had a tremendous moustache, the long, curving branches of which were visible from every point of view. Struck by this resemblance, the crowd unanimously bestowed upon M. Lacarelle the glorious name of Eporedorix, and from that time the secretary of the _préfet_ found himself compelled to personate in public the popular idea of the Gaul, and to conform to it by word and deed under all circumstances. Lacarelle was fairly successful, for he had had plenty of practice since his student days, and all that was required of him was to be hail-fellow-well-met with everybody, keen on the Army, and a teller of broad stories when necessary. He was considered to be an adept at kissing women, and so he became a great embracer. He kissed them all and he kissed them always. It did not matter who they were: women, young girls, and little girls, pretty ones and plain, old and young, he embraced them out of pure Gaulishness, and with no evil intentions, for he was a moral man. And that is why, coming unexpectedly upon Madame Bergeret waiting in the drawing-room for his wife, he immediately embraced her. Madame Bergeret was not ignorant of M. Lacarelle’s little habit, but her vanity, which was great, confounded her judgment, which was scanty. She thought he kissed her because he loved her, and straightway fell into so great an emotion that her bosom heaved stormily, her legs gave way beneath her, and she sank panting into the arms of M. Lacarelle. The latter was both surprised and embarrassed, but his amour-propre was flattered. He placed Madame Bergeret as comfortably as he could upon the couch, and, bending over her, said in a voice filled with sympathy: “Poor lady! So charming and so unhappy! And so you are leaving us? You are going to-morrow?” And he imprinted upon her brow a chaste kiss. But Madame Bergeret, whose nerves were all unstrung, burst into a fit of sobs and tears; then slowly, solemnly, and sorrowfully she returned his kiss at the very moment that Madame Lacarelle entered the room. * * * * *