The Amores; or, Amours: Literally Translated into English Prose, with Copious NotesOvid
General
The Amores; or, Amours: Literally Translated into English Prose, with Copious Notes
Ovid
Latin poetry -- Adaptations; Latin poetry -- Translations into English
[Footnote 538: In the lattice work.--Ver. 64. The 'cancelli' were
lattice work, which probably fkirted the outer edge of each wide
'præcinctio,' or passage,that ran along in front of the seats, at
certain intervals. As the knees would not there be so cramped, these
seats would be considered the most desirable. It is clear that Ovid and
the lady have had the good fortune to secure front seats, with the feet
resting either on the lowest 'præcinctio', or the 'præcinctio' of a set
of seats higher up. Stools, of course, could not be used, as they would
be in the way of passers-by. He perceives, as the seat is high, that she
has some difficulty in touching the ground with her feet, and naturally
concludes that her legs must ache; on which he tells her, if it will
give her ease, to rest the tips of her feet on the lattice work railing
which was opposite, and which, if they were on an upper 'præcinctio,'
ran along the edge of it: or if they were on the very lowest tier,
skirted the edge of the 'podium' which formed the basis of that tier.
This she might do, if the 'præcinctio' was not more than a yard wide,
and if the 'cancelli' were as much as a foot in height.]
[Footnote 539: Now the Prcetor.--Ver. 65. The course is now clear
of the procession, and the Prætor gives the signal for the start, the
'carceres' being first opened. This was sometimes given by sound of
trumpet, or more frequently by letting fall a napkin; at least, after
the time of Nero, who is said, on one occasion, while taking a meal, to
have heard the shouts of the people who were impatient for the race to
begin, on which he threw down his napkin as the signal.]
[Footnote 540: The even harriers.--Ver. 66. From this description we
should be apt to think that the start was effected at the instant when
the 'carceres' were opened. This was not the case: for after coming out
of the-carceres,' the chariots were ranged abreast before a white line,
which was held by men whose office it was to do, and who were called
'moratores.' When all were ready, and the signal had been given, the
white line was thrown down, and the race commenced, which was seven
times round the course. The 'career' is called 'æquum,' because they
were in a straight line, and each chariot was ranged in front of the
door of its 'career.']
[Footnote 541: Circuit far too wide.--Ver. 69. The charioteer, whom the
lady favours, is going too wide of the 'meta,' or turning-place, and so
loses ground, while the next overtakes him.]
[Footnote 542: To the left.--Ver. 72. He tells him to guide the horses
to the left, so as to keep closer to the 'meta,' and not to lose so much
ground by going wide of it.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account