The Amores; or, Amours: Literally Translated into English Prose, with Copious NotesOvid
General
The Amores; or, Amours: Literally Translated into English Prose, with Copious Notes
Ovid
Latin poetry -- Adaptations; Latin poetry -- Translations into English
[Footnote 613: We possess inspiration.--Ver. 17. In the Sixth Book of
the Fasti, 1. 6, he says. 'There is a Deity within us (Poets): under
his guidance we glow with inspiration; this poetic fervour contains the
impregnating. particles of the mind of the Divinity.']
[Footnote 614: She lays her.--Ver. 20. It must be remembered that,
whereas we personify Death as of the masculine gender; the Romans
represented the grim tyrant as being a female. It is a curious fact
that we find Death very rarely represented as a skeleton on the Roman
monuments. The skeleton of a child has, in one instance, been found
represented on one of the tombs of Pompeii. The head of a horse was
one of the most common modes of representing death, as it signified
departure.]
[Footnote 615: Ismarian Orpheus.--Ver. 21. Apollo and the Muse Calliope
were the parents of Orpheus, who met with a cruel death. See the
beginning of the Eleventh Book of the Metamorphoses.]
[Footnote 616: Linus! Alas!--Ver. 23. 'Ælinon' was said to have been
the exclamation of Apollo, on the death of his son, the poet Linus. The
word is derived from the Greek, 'di Aivôç,' 'Alas! Linus.' A certain
poetic measure was called by this name; but we learn from Athenaeus,
that it was not always confined to pathetic subjects. There appear to
have been two persons of the name of Linus. One was a Theban, the son of
Apollo, and the instructor of Orpheus and Hercules, while the other was
the son of an Argive princess, by Apollo, who, according to Statius, was
torn to pieces in his infancy by dogs.]
[Footnote 617: The son of Mæon. --Ver. 25. See the Note to the ninth
line of the Fifteenth Elegy of the First Book of the Amores.]
[Footnote 618: Slow web woven.--Ver. 30. The web of Penelope.]
[Footnote 619: Nemesis, so Delia.--Ver. 31. Nemesis and Delia were the
names of damsels whose charms were celebrated by Tibullus.]
[Footnote 620: Sacrifice avail thee.--Ver. 33. He alludes to two lines
in the]
First Elegy of Tibullus.]
'Quid tua nunc Isis mihi Delia? quid mihi prosunt]
Ilia tuâ toties sera repuisa manu.']
What have I now to do, Delia, with your Isis? what avail me those sistra
so often shaken by your hand?']
[Footnote 621: What lying apart.--Ver. 34. During the festival of Isis,
all intercourse with men was forbidden to the female devotees.]
[Footnote 622: The yawning tomb.--Ver. 38. The place where a person was
burnt was called 'bustum,' if he was afterwards buried on the same spot,
and 'ustrina,' or 'ustrinum,' if he was buried at a different place. See
the Notes to the Fasti, B. ii. 1. 531.]
[Footnote 623: The towers of Eryx--Ver. 45. He alludes to Venus, who
had a splendid temple on Mount Eryx, in Sicily.]
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