The Amores; or, Amours: Literally Translated into English Prose, with Copious NotesOvid
General
The Amores; or, Amours: Literally Translated into English Prose, with Copious Notes
Ovid
Latin poetry -- Adaptations; Latin poetry -- Translations into English
But still this is better, than if I were languishing without a flame;
may a life of seriousness be the lot of my foes. May it be the lot of
my foes to sleep in the couch of solitude, and to recline their limbs
outstretched in the midst of the bed. But, for me, may cruel Love _ever_
disturb my sluggish slumbers; and may I be not the solitary burden of
my couch. May my mistress, with no one to hinder it, make me die _with
love_, if one is enough to be able to do so; _but_ if one is not enough,
_then_ two. Limbs that are thin, [401] but not without strength, may
suffice; flesh it is, not sinew that my body is in want of. Delight,
too, will give resources for vigour to my sides; through me has no fair
ever been deceived. Often, robust through the hours of delicious night,
have I proved of stalwart body, even in the mom. Happy the man, who
proves the delights of Love? Oh that the Gods would grant that to be the
cause of my end!
Let the soldier arm his breast [402] that faces the opposing darts, and
with his blood let him purchase eternal fame. Let the greedy man seek
wealth; and with forsworn mouth, let the shipwrecked man drink of the
seas which he has wearied with ploughing them. But may it be my lot to
perish in the service of Love: _and_, when I die, may I depart in the
midst of his battles; [403] and may some one say, when weeping at my
funeral rites: "Such was a fitting death for his life."
ELEGY XI.
_He endeavours to dissuade Corinna from her voyage to Baiæ._
|The pine, cut on the heights of Pelion, was the first to teach the
voyage full of danger, as the waves of the ocean wondered: which, boldly
amid the meeting rocks, [404] bore away the ram remarkable for his
yellow fleece. Oh! would that, overwhelmed, the Argo had drunk of the
fatal waves, so that no one might plough the wide main with the oar.
Lo! Corinna flies from both the well-known couch, and the Penates of
her home, and prepares to go upon the deceitful paths _of the ocean_.
Ah wretched me! why, for you, must I dread the Zephyrs, and the Eastern
gales, and the cold Boreas, and the warm wind of the South? There no
cities will you admire, _there_ no groves; _ever_ the same is the azure
appearance of the perfidious main.
The midst of the ocean has no tiny shells, or tinted pebbles; [405] that
is the recreation [406] of the sandy shore. The shore _alone_, ye fair,
should be pressed with your marble feet. Thus far is it safe; the rest
of _that_ path is full of hazard. And let others tell you of the warfare
of the winds: the waves which Scylla infests, or those which Charybdis
_haunts_: from what rocky range the deadly Ceraunia projects: in what
gulf the Syrtes, or in what Malea [407] lies concealed. Of these let
others tell: but do you believe what each of them relates: no storm
injures the person who credits them.
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