The Amores; or, Amours: Literally Translated into English Prose, with Copious NotesOvid
General
The Amores; or, Amours: Literally Translated into English Prose, with Copious Notes
Ovid
Latin poetry -- Adaptations; Latin poetry -- Translations into English
If one could fall in love with the wife of a fool, that man could rob
the barren sea-shore of its sand. And now I give thee notice; unless
thou begin to watch this fair, she shall begin to cease to be a flame
of mine. I have put up with much, and that for a long time; I have often
hoped that it would come to pass, that I should adroitly deceive thee,
when thou hadst watched her well. Thou art careless, and dost endure
what should be endured by no husband; but an end there shall be of an
amour that is allowed to me. And shall I then, to my sorrow, forsooth,
never be forbidden admission? Will it ever be night for me, with no
one for an avenger? Am I to dread nothing? Shall I heave no sighs in my
sleep? What have I to do with one so easy, what with such a pander of
a husband? By thy own faultiness thou dost mar my joys. Why, then, dost
thou not choose some one else, for so great long-suffering to please? If
it pleases thee for me to be thy rival, forbid me _to be so_.----
BOOK THE THIRD.
ELEGY I.
_The Poet deliberates whether he shall continue to write Elegies, or
whether he shall turn to Tragedy._
|There stands an ancient grove, and one uncut for many a year; 'tis
worthy of belief that a Deity inhabits that spot. In the midst there is
a holy spring, and a grotto arched with pumice; and on every side
the birds pour forth their sweet complaints. Here, as I was walking,
protected by the shade of the trees, I was considering upon what work my
Muse should commence. Elegy came up, having her perfumed hair wreathed;
and, if I mistake not, one of her feet was longer _than the other_.
[501] Her figure was beauteous; her robe of the humblest texture, her
garb that of one in love; the fault of her foot was one cause of her
gracefulness.
Public-domain text, read in full here on John Shaqi.
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