The Amores; or, Amours: Literally Translated into English Prose, with Copious NotesOvid
General
The Amores; or, Amours: Literally Translated into English Prose, with Copious Notes
Ovid
Latin poetry -- Adaptations; Latin poetry -- Translations into English
"Through me Corinna learned how, deceiving her keeper, to shake the
constancy of the fastened door, [508] and to slip away from her couch,
clad in a loose tunic, [509] and in the night to move her feet without
a stumble. Or how often, cut in _the wood_, [510] have I been hanging
up at her obdurate doors, not fearing to be read by the people as they
passed! I remember besides, how, when sent, I have been concealed in the
bosom of the handmaid, until the strict keeper had taken his
departure. Still further--when thou didst send me as a present on her
birthday [511] --but she tore me to pieces, and barbarously threw me in the
water close by. I was the first to cause the prospering germs of thy
genius to shoot; it has, as my gift, that for which she is now asking
thee."
They had now ceased; on which I began: "By your own selves, I conjure
you both; let my words, as I tremble, be received by unprejudiced ears.
Thou, the one, dost grace me with the sceptre and the lofty buskin;
already, even by thy contact with my lips, have I spoken in mighty
accents. Thou, the other, dost offer a lasting fame to my loves; be
propitious, then, and with the long lines unite the short.
"Do, Tragedy, grant a little respite to the Poet. Thou art an everlasting
task; the time which she demands is but short." Moved by my entreaties,
she gave me leave; let tender Love be sketched with hurried hand,
while still there is time; from behind [514] a more weighty undertaking
presses on.
ELEGY II.
_To his mistress, in whose company he is present at the chariot races in
the Circus Maximus. He describes the race._
|I am not sitting here [515] an admirer of the spirited steeds; [516]
still I pray that he who is your favourite may win. I have come here to
chat with you, and to be seated by you, [517] that the passion which
yea cause may not be unknown to you. You are looking at the race, I _am
looking_ at you; let us each look at what pleases us, and so let us each
feast our eyes. O, happy the driver [518] of the steeds, whoever he
is, that is your favourite; it is then his lot to be the object of your
care; might such be my lot; with ardent zeal to be borne along would I
press over the steeds as they start from the sacred barrier. [519] And
now I would give rein; [520] now with my whip would I lash their backs;
now with my inside wheel would I graze the turning-place. [521] If you
should be seen by me in my course, then I should stop; and the reins,
let go, would fall from my hands.
Public-domain text, read in full here on John Shaqi.
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