The Amores; or, Amours: Literally Translated into English Prose, with Copious NotesOvid
General
The Amores; or, Amours: Literally Translated into English Prose, with Copious Notes
Ovid
Latin poetry -- Adaptations; Latin poetry -- Translations into English
I have expended every method; neither by entreaties nor by threats have
I moved you, O _man, even_ more deaf yourself than your door. It becomes
you not to watch the threshold of the beauteous fair; of the anxieties
of the prison, [076] are you more deserving. And now Lucifer is moving
his wheels beset with rime; and the bird is arousing [077] wretched
_mortals_ to their work. But, chaplet taken from my locks joyous no
longer, be you the livelong night upon this obdurate threshold. You,
when in the morning she shall see you _thus_ exposed, will be a witness
of my time thus thrown away. _Porter_, whatever your disposition, good
bye, and _one day_ experience the pangs of him who is now departing;
sluggish one, and worthless in not admitting the lover, fare you well.
And you, ye cruel door-posts, with your stubborn threshold; and _you,
ye_ doors, equally slaves, [078] hard-hearted blocks of wood, farewell.
ELEGY VII.
_He has beaten his mistress, and endeavours to regain her favour._
|Put my hands in manacles (they are deserving of chains), if any friend
of mine is present, until all my frenzy has departed. For frenzy has
raised my rash arms against my mistress; hurt by my frantic hand, the
fair is weeping. In such case could I have done an injury even to my
dear parents, or have given unmerciful blows to even the hallowed
Gods. Why; did not Ajax, too, [080] the owner of the sevenfold shield,
slaughter the flocks that he had caught along the extended plains?
And did Orestes, the guilty avenger of his father, the punisher of his
mother, dare to ask for weapons against the mystic Goddesses? [081]
And could I then tear her tresses so well arranged; and were not her
displaced locks unbecoming to my mistress? Even thus was she beauteous;
in such guise they say that the daughter of Schoeneus [082] pursued the
wild beasts of Mænalus with her bow. 'Twere more fitting for her face to
be pale from the impress of kisses, and for her neck to bear the marks
of the toying teeth.
In such guise did the Cretan damsel [083] weep, that the South winds, in
their headlong flight, had borne away both the promises and the sails of
the forsworn Theseus. Thus, _too_, chaste Minerva, did Cassandra [084]
fall in thy temple, except that her locks were bound with the fillet.
Who did not say to me, "You madman!" who did not say _to me_, "You
barbarian!" She herself _said_ not a word; her tongue was restrained
by timid apprehensions. But still her silent features pronounced my
censure; by her tears _and_ by her silent lips did she convict me.
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