The Amouretta landscape, and other storiesAdams, Adeline
General
The Amouretta landscape, and other stories
Adams, Adeline
American fiction -- 20th century; Short stories, American
As Maurice motored down to the station, the maple and beech leaves
spurned by his tires rose up in their passing glory and sang Hal’s
message, over and over, with variations; and on the night train, the
wheels took up the refrain, with grinding insistence. “Buyer buyer waits
your wire,” though probably due in part to a mistake at the office,
sounded a little like the new poetry; Maurice hoped there might be truth
as well as poetry in it. “Top price cash down” had its own music, of
course; but “immediate withdrawal from gallery” was less pleasing to the
ear. It had implications. That part of the message, reverberated in the
too sonorous breathing of lower nine, just opposite, really annoyed our
painter. As he afterward told Hal, adapting his language to his hearer,
“it got his goat.” “Immediate withdrawal,” indeed! Such words were not to
be addressed to a Price.
Emerging from the sordid practicalities of the Pullman, he sought his
Club for breakfast; he felt that the morning air on his face, even in the
few steps from the Grand Central to the Century, might supplement the
sketchy passes he had made before the shiny Pullman basin, while lower
nine, perspiring in purple pajamas, awaited his turn; lower nine, in
waking as in sleeping hours, still suggesting “immediate withdrawal.” The
offending phrase followed Maurice into the breakfast-room. He had eaten
it in his grapefruit and was thoughtfully stirring it into his coffee,
when Mr. William Saltonstall, that early bird among collectors, sauntered
in, and after a moment’s hesitation, hastened to grasp his hand.
Maurice in his absorption did not associate his enigmatic “buyer buyer”
with Mr. Saltonstall. Indeed, that gentleman was known everywhere as a
connoisseur in figure-pieces; he never bought landscapes. Yet there was
something unusual in his manner; his dark melancholy eyes, usually very
gentle, were smouldering with a kind of suppressed excitement, in which
both joy and pain were suggested.
“Surely I have the right explanation, haven’t I?” he began, with anxious
courtesy.
“If you have,” replied Maurice, “I wish you’d share it with me, along
with breakfast.”
Acting on a fantastic impulse to match another man’s perplexities with
his own, he pushed the crumpled telegram across the table.
Mr. Saltonstall smiled. “Oh, yes, I asked Wrayne to wire you.”
A glimmer of light broke over Maurice. “Are you—by any chance—this ‘buyer
buyer’?”
His friend nodded nervously. “Still waiting your wire! But I don’t ask
immediate withdrawal, now. That is, if the truth is what I think it is.”
“But what _is_ the truth?” cried the bewildered painter.
“You should know,” returned the other. “I have my belief, my strong
belief!—but you, you have the knowledge! For God’s sake, man, was it a
landscape or—a lady—that you sent down to that cousin of yours?”
Public-domain text, read in full here on John Shaqi.
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