The Amouretta landscape, and other storiesAdams, Adeline
General
The Amouretta landscape, and other stories
Adams, Adeline
American fiction -- 20th century; Short stories, American
Their father was a painter, their mother a writer. Peter took to
colors, Royal to ink. But Peter, luckily for the world, was no such
born-in-the-blood Romantic as poor Royal then was, and might forever
be, unless something could be done about it! That boy’s parents had
showered upon him all the benefits of education, dentistry, operations
for adenoids. They had even had him psycho-analyzed, since Uncle Tom’s
business in life was exactly that. My uncle the psychiatrist; the boys
often stuck the phrase into their cheeks, for the benefit of their mates.
The work on Royal had been done with the utmost secrecy, of course. Uncle
Tom had made a mental diagram of Royal’s case, as carefully as for a
paying patient. In seven closely typewritten pages, bristling with words
like prognosis, adolescence, stimuli, adaptability, environment, Royal’s
young soul-history may still be found among Uncle Tom’s files. And
Uncle Tom would be the first to tell you that for the unlearned, those
seven pages might be summed up in seven words: a poet is growing, let
him alone. Royal’s parents were cheered by that report. They had always
rejoiced in the harmonious understanding that existed between the uncle
and nephew. There was a strong family likeness between the two; they
turned their heads to the same side when arguing, and waved a good-bye in
the same manner. Often Royal at his most poetical made observations that
staggered Uncle Tom at his most psychological. Uncle Tom sometimes found
it ludicrous when, simply because “_maxima debetur puero reverentia_,”
he had refrained from saying something, and then found that Royal, with
immense earnestness, was saying it himself.
Royal was a lean, rangy, bright-haired lad, with a clear skin and a good
carriage. He had nobly-set blue eyes whose depths seemed practically
bottomless, the young eyes that suggest both heaven and hell. He had
also a determined chin that often pushed him into positions in which his
undetermined nose was of no use whatever. Oh, quite the ordinary type
of boy whose unusualness is chiefly within! Perhaps the most striking
thing about him, thus far, was his passion for beauty; beauty to be seen,
heard, tasted, clasped, protected, prayed to. There was Scotch blood in
him; he had plenty of second sight, but was often found lacking in that
vulgar variety of first sight known as common sense.
Public-domain text, read in full here on John Shaqi.
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