I. _Sanguineous Drunkard._—The sanguine temperament seems to feel most
intensely the excitement of the bottle. Persons of this stamp have
usually a ruddy complexion, thick neck, small head, and strong muscular
fibre. Their intellect is in general _mediocre_, for great bodily
strength and corresponding mental powers are rarely united together.
In such people, the animal propensities prevail over the moral and
intellectual ones. They are prone to combativeness and sensuality, and
are either very good-natured or extremely quarrelsome. All their passions
are keen: like the Irish women, they will fight for their friends or
with them as occasion requires. They are talkative from the beginning,
and, during confirmed intoxication, perfectly obstreperous. It is men of
this class who are the heroes of all drunken companies, the patrons of
masonic lodges, the presidents and getters-up of jovial meetings. With
them, eating and drinking are the grand ends of human life. Look at their
eyes, how they sparkle at the sight of wine, and how their lips smack and
their teeth water in the neighbourhood of a good dinner: they would scent
out a banquet in Siberia. When intoxicated, their passions are highly
excited: the energies of a hundred minds then seem concentrated into one
focus. Their mirth, their anger, their love, their folly, are all equally
intense and unquenchable. Such men cannot conceal their feelings. In
drunkenness, the veil is removed from them, and their characters stand
revealed, as in a glass, to the eye of the beholder. The Roderick Random
of Smollett had much of this temperament, blended, however, with more
intellect than usually belongs to it.
II. _Melancholy Drunkard._—Melancholy, in drunkards, sometimes arises
from temperament, but more frequently from habitual intoxication or
misfortune. Some men are melancholy by nature, but become highly mirthful
when they have drunk a considerable quantity. Men of this tone of mind
seem to enjoy the bottle more exquisitely than even the sanguineous
class. The joyousness which it excites breaks in upon their gloom like
sunshine upon darkness. Above all, the sensations, at the moment when
mirth begins with its magic to charm away care, are inexpressible.
Pleasure falls in showers of fragrance upon their souls; they are at
peace with themselves and all mankind, and enjoy, as it were, a foretaste
of paradise. Robert Burns was an example of this variety. His melancholy
was constitutional, but heightened by misfortune. The bottle commonly
dispelled it, and gave rise to the most delightful images; sometimes,
however, it only aggravated the gloom.
Public-domain text, read in full here on John Shaqi.
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