The Ancestral Footstep (fragment): Outlines of an English RomanceHawthorne, Nathaniel
General
The Ancestral Footstep (fragment): Outlines of an English Romance
Hawthorne, Nathaniel
American literature
April 1, 1858. _Thursday_.--He had now been travelling long in those rich
portions of England where he would most have wished to find the object of
his pursuit; and many had been the scenes which he would willingly have
identified with that mentioned in the ancient, time-yellowed record which
he bore about with him. It is to be observed that, undertaken at first
half as the amusement, the unreal object, of a grown man's play-day, it
had become more and more real to him with every step of the way that he
followed it up; along those green English lanes it seemed as if
everything would bring him close to the mansion that he sought; every
morning he went on with renewed hopes, nor did the evening, though it
brought with it no success, bring with it the gloom and heaviness of a
real disappointment. In all his life, including its earliest and happiest
days, he had never known such a spring and zest as now filled his veins,
and gave lightsomeness to his limbs; this spirit gave to the beautiful
country which he trod a still richer beauty than it had ever borne, and
he sought his ancient home as if he had found his way into Paradise and
were there endeavoring to trace out the sight [site] of Eve's bridal
bower, the birthplace of the human race and its glorious possibilities of
happiness and high performance.
In these sweet and delightful moods of mind, varying from one dream to
another, he loved indeed the solitude of his way; but likewise he loved
the facility which his pursuit afforded him, of coming in contact with
many varieties of men, and he took advantage of this facility to an
extent which it was not usually his impulse to do. But now he came forth
from all reserves, and offered himself to whomever the chances of the way
offered to him, with a ready sensibility that made its way through every
barrier that even English exclusiveness, in whatever rank of life, could
set up. The plastic character of Middleton was perhaps a variety of
American nature only presenting itself under an individual form; he could
throw off the man of our day, and put on a ruder nature, but then it was
with a certain fineness, that made this only [a] distinction between it
and the central truth. He found less variety of form in the English
character than he had been accustomed to see at home; but perhaps this
was in consequence of the external nature of his acquaintance with it;
for the view of one well accustomed to a people, and of a stranger to
them, differs in this--that the latter sees the homogeneity, the one
universal character, the groundwork of the whole, while the former sees a
thousand little differences, which distinguish the individual men apart,
to such a degree that they seem hardly to have any resemblance among
themselves.
Public-domain text, read in full here on John Shaqi.
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