“But does any one know the story of the place?” repeated Iris, who
preferred any diversion to Mokes’s solo.
“Why insist upon digging it up?” said Sara. “Let it rest in the purple
haze of the past. The place has not been occupied for a hundred years.
We see this beautiful orange walk; yonder is a solitary tomb. Can we not
fill out these shadowy borders without the aid of prosaic detail?”
The Professor, who had been digging up vicious-looking roots, now joined
us. “When I was here some years ago,” he began, in his loud, distinct
tones, “I made a point of investigating--”
“Let _us_ make a point of leaving,” murmured Sara, taking me off down
the walk. John Hoffman followed, so did Iris, and consequently Mokes,
likewise Aunt Di. Miss Sharp longed to stay, but did not quite dare; so
she compromised by walking on, as far as her feet were concerned, all
the rest of her, however, looking back with rapt attention. “Yes? How
interesting! Pray go on.”
The Professor went on; we heard his voice in the rear. “It was called El
Verjel (the garden), and its orange grove was the glory of St.
Augustine--”
“Hurry!” whispered Sara, “or we shall hear the whole.”
We hastened out into the sunny meadows, catching “killed by
lightning”--“1790”--“he sent his oranges to London;” then the voice died
away in the distance. John Hoffman kept with us, and we wandered on,
looking off over the Matanzas, sweeping on to the south, dotted with
sails, and the black dug-outs of the Minorcan fishermen anchored along
shore. The tide was out, and the coast-line bare and desolate.
[Illustration: A DESERTED PLANTATION.]
“Nothing that H. H. ever wrote excels her ‘When the tide comes in,’” I
said. “Do you remember it?
‘When the tide goes out,
The shore looks dark and sad with doubt’--
and that final question,
‘Ah, darling, shall we ever learn
Love’s tidal hours and days?’”
“You believe, then, that love has its high and low tides?” said John,
lighting a fresh cigar.
“Low tide,” said Sara, half to herself--“low tide always.” She was
looking at the bare shore with a sadness that had real roots down
somewhere.
“_Very_ low, I suppose,” commented John; “every thing is always very
high or very low with you ladies. You are like the man who had a steamer
to sell. ‘But is it a low-pressure engine?’ asked a purchaser. ‘Oh yes,
_very_ low,’ replied the owner, earnestly.”
Sara flushed, and turned away.
“Do you do it on purpose, I wonder?” I thought, with some indignation,
as I glanced at John’s imperturbable face. I was very tender always with
Sara’s sudden little sadnesses. I think there is no one who comprehends
a girl passing through the shadow-land of doubt and vague questioning
that lies beyond youth so well as the old maid who has made the journey
herself, and knows of a surety that there is sunshine beyond. Obeying a
sudden impulse, I asked the question aloud. Sara was in front of us, out
of hearing.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account