The Captain was with us, likewise Mokes; but Aunt Diana had sliced in
another young lady to keep the balance even; and away we went through
the town, across the Maria Sanchez Creek, under the tree arches, and out
on to the broad causeway beyond.
“What! _walk_ to Ponce de Leon Spring!” exclaimed the languid St.
Augustine ladies as we passed.
“They evidently look upon Northerners as a species of walking madmen,” I
said, laughing.
“It is a singular fact,” commented Sara, “that country people never walk
if they can help it; they go about their little town and that is all.
City people, on the contrary, walk their miles daily as a matter of
course. You can almost tell whether a young lady is city or country bred
from the mere fact of her walking or not walking.”
“Climate here has something to do with it,” said John, “and also the old
Spanish ideas that ladies should wear satin slippers and take as few
steps as possible. The Minorcans keep up some of the old ideas still.
Courtship is carried on through a window, the maiden within, a rose in
her hair, and the favorite Spanish work in her hand, and the lover
outside leaning on the casement. Not until a formal acceptance has been
given is he allowed to enter the house and rest himself and his
aspirations in a chair.”
“We have adopted English ideas of exercise in New York,” said Eugenio,
“but they have not penetrated far into the interior as yet, and are
utterly unknown south of Mason and Dixon’s line. St. Augustine, however,
is still Spanish, and no one expects the traditional Spanish señorita,
with her delicate slippers, fan, and mantilla, to start out for a
six-mile constitutional--it would not be her style at all. By-the-way, I
saw a beautiful Spanish face leaning from a window on St. George Street
this morning.”
“Yes,” said Mokes, consequentially. “There are two on St. George Street,
two on Charlotte, and one on St. Hypolita. I have taken pains to
trace--er--to trace them out; they like it--er--and I have, I may say,
some experience in outlines and that sort of thing--galleries
abroad--old masters, etc. Paint a little myself.”
“Indeed!” said Eugenio. “Original designs, I suppose?”
Oh no; Mokes left that to the regular profession. They had to do it,
poor fellows--wouldn’t interfere with them.
“Very generous,” said Eugenio.
Yes, Mokes thought it was. But gentlemen of--of fortune, you know, had
their duties--as--as such.
“How _much_ I should like to see your pictures, Mr. Mokes!” said the
poet, assuming an air of deep interest.
The highly flattered Mokes thought that “perhaps--er,” he “might have
one or two sent down by express;” he always liked “to oblige his
friends.”
“Don’t chaff him any more,” whispered John, with a meaning glance toward
Iris.
“What! not that lovely girl!” exclaimed Eugenio, under his breath.
“Two or three millions!” said John.
“Ah!” replied the poet.
Public-domain text, read in full here on John Shaqi.
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