“Yes, for six short months. But it was ten years ago, and I was only eighteen. He had forgotten both it and me, as I could see by his face when you first introduced him on that New York steamer. I am only one of a succession, I presume,” continued Sara, in a bitter tone. (I thought it very likely, but did not say so.) “I was at home up in the mountains then, and he came that way on a hunting expedition. It was the old, old story, and I was so happy! I knew little and cared less about his social position. I was educated, therefore I was his peer. But he was stern, and I was proud; he was unyielding, and I rebellious; he wished to rule, and I would obey no one, although I would have given him freely the absolute devotion of every breath had he not demanded it. We parted, still up in the mountains, where he had lingered for my sake, and I had never seen him since that day until, when fairly out at sea, he appeared on the deck of that steamer. He took the initiative immediately with his calm politeness, and I was not to be outdone. I flatter myself that not one of you suspected that we had ever met before. And now, Martha, not one word, please. There is nothing to say. We shall soon be parted again, very likely for another ten years, as he does not return North with us. Do not fancy that I am unhappy about it. I am like Esther in _Bleak House_, when, after that unwished-for and unpleasant offer of marriage, she nevertheless found herself weeping as she had not done since the days when she buried the dear old doll down in the garden. It is only that the old chords are stirred, Martha dear; nothing more.” [Illustration: EASTER-EVEN SERENADE.] When, late in the evening, John sent up word that he was waiting for us, I hesitated; but Sara rose and said, “Come,” in her calm, every-day manner, and I went. “What will it be like, Mr. Hoffman?” I said, as soon as we reached the street, in order to make talk. “Principally singing,” he replied, “according to an old custom of the Minorcans. On Easter-even the young men assemble with musical instruments, and visit the houses of all their friends. Before they begin singing they tap on the shutter, and if they are welcome there is an answering tap within. Then follows the long hymn they call _Fromajardis_, always the same seven verses, with a chorus after each verse, all in the Minorcan dialect. Next comes a recitative soliciting the customary gifts, a bag is held under the window, and the people of the house open the shutter, and drop into it eggs, cheese, cakes, and other dainties, while the young men acknowledge their bounty with a song, and then depart.” We followed the singers for an hour, listening to the ancient song, which sounded sweetly through the narrow streets in the midnight stillness. My two companions talked on as usual, but I could not. I was haunted by that picture of ten years ago.