It must also be admitted that the splendour of the surviving rock monuments near the Phrygian capital is consistent with its having been the centre of a very considerable empire, and hardly consistent with its having been anything less. The greatest of these, the tomb of a king Midas (son not of Gordius but of Atys), has for façade a cliff about a hundred feet high, cut back to a smooth face on which an elaborate geometric pattern has been left in relief. At the foot is a false door, while above the immense stone curtain the rock has been carved into a triangular pediment worthy of a Greek temple and engraved with a long inscription in a variety of the earliest Greek alphabet. There are many other rock-tombs of smaller size but similar plan and decoration in the district round the central site, and others which show reliefs of human figures and of lions, the latter of immense proportions on two famous façades. When these were carved, the Assyrian art of the New Kingdom was evidently known in Phrygia (probably in the early seventh century), and it is difficult to believe that those who made such great things under Assyrian influence can have passed wholly unmentioned by contemporary Assyrian records. Therefore, after all, we shall, perhaps, have to admit that they were those same Mushki who followed leaders of the name Mita to do battle with the Great Kings of Nineveh from Sargon to Ashurbanipal. There is no doubt how the Phrygian kingdom came by its end. Assyrian records attest that the Gimirrai or Cimmerians, an Indo-European Scythian folk, which has left its name to Crim Tartary, and the present Crimea, swept southward and westward about the middle of the seventh century, and Greek records tell how they took and sacked the capital of Phrygia and put to death or forced to suicide the last King Midas. SECTION 9. LYDIA