The ancient Egyptian doctrine of the immortality of the soulWiedemann, Alfred
Religion
The ancient Egyptian doctrine of the immortality of the soul
Wiedemann, Alfred
Eschatology, Egyptian; Immortality
The friends and relatives of the deceased then carried the dead in
solemn procession across the river to his last resting-place, which
he had provided for himself in the hills forming the western boundary
of the valley of the Nile. Mourning-women accompanied the procession
with their wailing; priests burnt incense and intoned prayers, and
other priests made offerings and performed mysterious ceremonies both
during the procession and at the entrance to the tomb.[1] The mummy was
then lowered into the vault, which was closed and walled up, further
offerings were made, and afterwards the mourners partook of the funeral
feast in the ante-chamber of the tomb. Harpers were there who sang of
the dead man and of his worth, and exhorted his relations to forget
their grief and again to rejoice in life, so long as it should be
granted unto them to enjoy the light of the sun; for when life is
past man knows not what shall follow it; beyond the grave is darkness
and long sleep. Gayer and gayer grew the banquet, often degenerating
into an orgy; when at length all the guests had withdrawn, the tomb
was closed, and the dead was left alone. Afterwards it was only on
certain feast days that the relatives made pilgrimages to the city of
the dead, sometimes alone and sometimes accompanied by priests. On
these occasions they again entered the ante-chamber of the tomb, and
there offered prayers to the dead, or brought him offerings, either in
the shape of real foods and drinks, or else under the symbolic forms
of little clay models of oxen, geese, cakes of bread, and the like.
Otherwise the tomb remained unvisited. How it there fared with the dead
could only be learned from the doctrines and mysteries of religion; to
descend into the vault and disturb the peace of the mummy was accounted
a heavy crime against both gods and men.
Public-domain text, read in full here on John Shaqi.
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