I was so happy as not to displease the public in my first attempt.(43) I wish the present Work may be equally successful, but dare not raise my hopes so high. The subjects I there treated, _viz._ polite literature, poetry, eloquence, and curious and detached pieces of history, gave me an opportunity of introducing into it from ancient and modern authors, whatever is most beautiful, affecting, delicate, and just, with regard both to thought and expression. The beauty and justness of the things themselves which I offered the reader, made him more indulgent to the manner in which they were presented to him; and besides, the variety of the subjects supplied the want of those graces which might have been expected from the style and composition. But I have not the same advantage in the present work, the choice of the subjects not being entirely at my discretion. In a connected history, an author is often obliged to relate a great many things that are not always very interesting, especially with regard to the origin and rise of empires; and these parts are generally overrun with thorns, and offer very few flowers. However, the sequel will furnish matter of a more pleasing nature, and events that engage more strongly the reader’s attention; and I shall take care to make use of the valuable materials which the best authors will supply. In the mean time, I must entreat the reader to remember that in a wide-extended and beautiful region, the eye does not everywhere meet with golden harvests, smiling meads, and fruitful orchards; but sees, at different intervals, wild and less cultivated tracts of land. And, to use another comparison, furnished by Pliny,(44) some trees in the spring emulously shoot forth a numberless multitude of blossoms, which by this rich dress (the splendour and vivacity of whose colours charm the eye) proclaim a happy abundance in a more advanced season: while other trees,(45) of a less gay appearance, though they bear good fruits, have not however the fragrance and beauty of blossoms, nor seem to share in the joy of reviving nature. The reader will easily apply this image to the composition of history.