France -- Civilization; France -- Politics and government; France -- Social life and customs
de Breteuil, bishop of Montauban, M.
de Cicé, archbishop of Bordeaux, the Cardinal de Montmorency,
grand-almoner, M. de Talleyrand, bishop of Autun, M. de Conzié, bishop
of Arras,[2266] and, in the first rank, the Abbé de Saint-Germain des
Prés, Comte de Clermont, prince of the blood, who, with an income
of 370,000 francs succeeds in ruining himself twice, who performs in
comedies in his town and country residences, who writes to Collé in
a pompous style and, who, in his abbatial mansion at Berny, installs
Mademoiselle Leduc, a dancer, to do the honors of his table.--There
is no hypocrisy. In the house of M. Trudaine, four bishops attend the
performance of a piece by Collé entitled "Les accidents ou les Abbés,"
the substance of which, says Collé himself, is so free that he did not
dare print it along with his other pieces. A little later, Beaumarchais,
on reading his "Marriage of Figaro" at the Maréchal de Richelieu's
domicile, not expurgated, much more crude and coarse than it is today,
has bishops and archbishops for his auditors, and these, he says, "after
being infinitely amused by it, did me the honor to assure me that they
would state that there was not a single word in it offensive to good
morals"[2267]: thus was the piece accepted against reasons of State,
against the king's will, and through the connivance of all those most
interested in suppressing it. "There is something more irrational than
my piece, and that is its success," said its author. The attraction
was too strong. People devoted to pleasure could not dispense with
the liveliest comedy of the age. They came to applaud a satire on
themselves; and better still, they themselves acted in it.--When a
prevalent taste is in fashion, it leads, like a powerful passion, to
extreme extravagance; the offered pleasure must, at any price, be had.
Faced with a momentary pleasure gratification, it is as a child
tempted by fruit; nothing arrests it, neither the danger to which it is
insensible, nor the social norms as these are established by itself.
VII. Theater, Parade And Extravagance.
The principal diversion, elegant comedy.--Parades and
extravagance.
Public-domain text, read in full here on John Shaqi.
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