France -- Civilization; France -- Politics and government; France -- Social life and customs
To divert oneself is to turn aside from oneself, to break loose and to
forget oneself; and to forget oneself fully one must be transported into
another, put himself in the place of another, take his mask and play his
part. Hence the liveliest of diversions is the comedy in which one is
an actor. It is that of children who, as authors, actors and audience,
improvise and perform small scenes. It is that of a people whose
political régime excludes exacting manly tasks (soucis virile) and
who sport with life just like children. At Venice, in the eighteenth
century, the carnival lasts six months; in France, under another form,
it lasts the entire year. Less familiar and less picturesque, more
refined and more elegant, it abandons the public square where it lacks
sunshine, to shut itself up in drawing-rooms where chandeliers are the
most suitable for it. It has retained of the vast popular masquerade
only a fragment, the opera ball, certainly very splendid and frequented
by princes, princesses and the queen; but this fragment, brilliant as it
is, does not suffice; consequently, in every chateau, in every mansion,
at Paris and in the provinces, it sets up travesties on society and
domestic comedies.--On welcoming a great personage, on celebrating the
birthday of the master or mistress of the house, its guests or invited
persons perform in an improvised operetta, in an ingenious, laudatory
pastoral, sometimes dressed as gods, as Virtues, as mythological
abstractions, as operatic Turks, Laplanders and Poles, similar to the
figures then gracing the frontispieces of books, sometimes in the dress
of peasants, pedagogues, peddlers, milkmaids and flower-girls like the
fanciful villagers with which the current taste then fills the stage.
They sing, they dance, and come forward in turn to recite petty
verses composed for the occasion consisting of so many well-turned
compliments.[2268]--At Chantilly "the young and charming Duchesse de
Bourbon, attired as a voluptuous Naiad, guides the Comte du Nord, in
a gilded gondola, across the grand canal to the island of Love;" the
Prince de Conti, in his part, serves as pilot to the Grand Duchesse;
other seigniors and ladies "each in allegorical guise," form the
escort,[2269] and on these limpid waters, in this new garden of
Alcinous, the smiling and gallant retinue seems a fairy scene in
Tasso.--At Vaudreuil, the ladies, advised that they are to be carried
off to seraglios, attire themselves as vestals, while the high-priest
welcomes them with pretty couplets into his temple in the park;
meanwhile over three hundred Turks arrive who force the enclosure to
the sound of music, and bear away the ladies in palanquins along the
illuminated gardens. At the little Trianon, the park is arranged as a
fair, and the ladies of the court are the saleswomen, "the queen keeping
a café," while, here and there, are processions and theatricals; this
festival costs, it is said, 100,000 livres, and a repetition of it is
Public-domain text, read in full here on John Shaqi.
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