us in livres, sous and deniers, the commerce of the Spaniards with Vera-Crux and of the English with their colonies." Diderot improvises on the arts and on moral and metaphysical subjects, with that incomparable fervor and wealth of expression, that flood of logic and of illustration, those happy hits of style and that mimetic power which belonged to him alone, and of which but two or three of his works preserve even the feeblest image. In their midst Galiani, secretary of the Neapolitan Embassy, a clever dwarf; a genius, "a sort of Plato or Machiavelli with the spirit and action of a harlequin," inexhaustible in stories, an admirable buffoon, and an accomplished skeptic, "having no faith in anything, on anything or about anything,"[4206] not even in the new philosophy, braves the atheists of the drawing-room, beats down their dithyrambs with puns, and, with his perruque in his hand, sitting cross-legged on the chair on which he is perched, proves to them in a comic apologia that they raisonnent (reason) or résonnent (resound or echo) if not as cruches (blockheads) at least as cloches (bells);" in any event almost as poorly as theologians. One of those present says, "It was the most diverting thing possible and worth the best of plays." How can the nobles, who pass their lives in talking, refrain from the society of people who talk so well? They might as well expect their wives, who frequent the theater every night, and who perform at home, not to attract famous actors and singers to their receptions, Jelyotte, Sainval, Préville, and young Molé who, quite ill and needing restoratives, "receives in one day more than 2,000 bottles of wine of different sorts from the ladies of the court," Mlle. Clairon, who, consigned to prison in Fort l'Eveque, attracts to it "an immense crowd of carriages," presiding over the most select company in the best apartment of the prison[4207]. With life thus regarded, a philosopher with his ideas is as necessary in a drawing room as a chandelier with its lights. He forms a part of the new system of luxury. He is an article of export. Sovereigns, amidst their splendor, and at the height of their success, invite them to their courts to enjoy for once in their life the pleasure of perfect and free discourse. When Voltaire arrives in Prussia Frederic II. is willing to kiss his hand, fawning on him as on a mistress, and, at a later period, after such mutual fondling, he cannot dispense with carrying on conversations with him by letter. Catherine II. sends for Diderot, and, for two or three hours every day, she plays with him the great game of the intellect. Gustavus III., in France, is intimate with Marmontel, and considers a visit from Rousseau as the highest honor[4208]. It is said with truth of Voltaire that "he holds the four kings in his hand," those of Prussia, Sweden, Denmark and Russia, without mentioning lower cards, the princes, princesses, grand dukes and markgraves. The principal rôle in this society evidently